A Quote by Shoojit Sircar

It is easier to make a film but difficult to make it on your own terms. In that sense 'Madras Cafe' was a very satisfying experience. — © Shoojit Sircar
It is easier to make a film but difficult to make it on your own terms. In that sense 'Madras Cafe' was a very satisfying experience.
It is very difficult to make films like 'Madras Cafe' in India, given the diverse nature of the country.
It is difficult to make movies on your own terms and also to make a film and convince somebody to have faith in it.
I'm the only Mauritanian filmmaker so it wouldn't make sense to make a film in France. I could shoot outside of my own country if the story was something that called for it. Africa really has to be the reason for me to make a new film.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
Redefine the sport in terms of your expertise, in terms of your talent, in terms of your strength, in terms of your flair. Make it interesting. Make it something that people want to watch.
If I had used real names, I don't think 'Madras Cafe' would have ever seen the light of day because it was a political film, an adaptation of a true incident.
It was a surprise for my family when I told them that I was offered 'Madras Cafe.' My family was initially worried because I have got no film background.
You can take your life into your own hands in terms of directing. There are ways for you to finance yourself and to write and make a film.
I started out in stand-up, so it's very satisfying to make people laugh, but it usually means at your own expense.
...many have the idea that organizing people is very difficult, but it isn't. It becomes difficult only at the point where you begin to see other things that are easier. But if you are willing to give the time and make the sacrifice, it's not that difficult to organize.
The actors make the film. They're the ones that take this theoretical movie that's in your head and make it real. The success of a film is entirely on their shoulders. I admire them, because acting is such a difficult thing to do, and I personally can't understand it.
When you make a film and it wins some award at a very select, very difficult festival such as Cannes, it's good for your fellow film directors and fellow citizens too. Because it shows them that this way is a real possibility.
When I got started in New York, it wasn't like it is now. If you were different from Miles and Dizzy, it was very difficult to make gigs and make money with your own style.
I don't make movies. I don't feel that I have to have artistic control. Part of this comes from the fact that the book lives on no matter what Hollywood does to your novel in terms of a film. Now, you try to be careful who you allow to do your film because nobody wants their novel to become a turkey movie. But, on the other hand, it is a crapshot anyway, because even the best people can make a bad film.
In my own experience, I've found that it's very difficult to make peace with women. We tend to be competitive and feel angry.
It's easier to greenlight your own films when you're not surrounded by other people aspiring to make films. You have to work a little harder and rely more on yourself and your collaborators and the real relationships you have. There are so many hypotheticals that dominate the industry, and everyone's always waiting for someone else to tell them when to make a film and write a check and sign the talent.
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