A Quote by Shweta Menon

When I became Miss India Asia-Pacific in 1994, I was a small town girl from Calicut. If I could make it, then wow, anyone could. — © Shweta Menon
When I became Miss India Asia-Pacific in 1994, I was a small town girl from Calicut. If I could make it, then wow, anyone could.
I was just 15 years old when I came from Chandigarh, which was a very small town then. I became part of the entertainment field after winning the Young Miss India contest.
I grew up believing that one person could make a difference. In Indiana, you saw that with basketball. The small town could beat the big town, like in the movie Hoosiers. That is one of the things that attracts me to entrepreneurs.
I figured that if anyone could be wildly popular in one town, then that could be replicated everywhere, all you have to do is get the word out.
If I could wake all of the women of Asia, India could be won in a day.
A core challenge for Australia is - how do we best prepare ourselves for the Asia Pacific century - to maximise the opportunities, to minimise the threats and to make our own active contribution to making this Asia-Pacific Century peaceful, prosperous and sustainable for us all.
I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.
That desire to reach further is also where I ended my memoir, in 1994 in California, perhaps ironically, looking out to the Pacific and back to Asia, toward the not-yet-written.
Oil was the big business in Tulsa and there was quite a bit of nightlife for a small town. You could never make any money, but you could always find a place to play.
MS Dhoni showed India what a tough man from a small town could dream and achieve. He has been a role model. Respect.
I definitely grew up as a small-town... I guess you could call it the 'small-town football player,' according to the stereotype. I wasn't involved in music at all.
When I was a kid, I felt like I could do anything and play anything. I just felt super-confident. And then, once I started to play music professionally, maybe it's from being from a small town, but you grow up and then you're suddenly a big fish in a small pond, and I realized that there were a billion other drummers out there that could play as good as you or better, and everybody wants that job.
When I graduated from high school, I made the decision to pursue my dance training in London, England. I was so scared at first, not knowing if this little girl from small town Canada could possibly make it with these highly trained London dancers.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
If I have a family down the road, I don't know if I could ever raise them in the city because I am a small town girl at heart. I definitely long for the mountains.
Having been a stunt girl for so long, a big part of my job was to not just make the other person look as cool as they could, but also to act as a support. My job was to make them as safe as they could be, so that they could be as explosive and as emotionally engaged as they could be.
From 1985 to 1994, I lived in Manhattan in a big old loft right off Times Square. I could walk to work, which was in a couple of Broadway theaters, to Howard Stern's studio, and to 30 Rock for 'Letterman' and 'SNL.' Even in New York, walking to work is homey and folksy, like living in a small town.
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