A Quote by Shweta Menon

I never had a boundary as an actor and I am open to interesting scripts. — © Shweta Menon
I never had a boundary as an actor and I am open to interesting scripts.
As an actor, I am open to anything interesting that comes my way.
I love to read scripts. But I am very happy right now to say that I am a working actor. In this town of Los Angeles, the phrase 'I'm an actor' is overrated. So, I like to say, 'I'm a working actor.'
I am a known actor who wants to challenge himself in difficult roles. I am not a star but an actor, so I am always looking for strong scripts and strong roles.
This was exactly what the girl had most dreaded all her life and had scrupulously avoided until now: lovemaking without emotion or love. She knew that she had crossed the forbidden boundary, but she proceeded across it without objections and as a full participant; only somewhere, far off in a corner of her consciousness, did she feel horror at the thought that she had never known such pleasure, never so much pleasure as at this moment--beyond that boundary.
It's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
I am fortunate that I get sent scripts and get to meet people I would never have met had I not done 'Harry Potter.' But I feel I had to come out of that show and prove that I am not a one trick pony and can do other stuff.
I never wanted to be an actor. Because when you're an actor, you depend on other people to come to you with scripts. You can't create your own. Unless you are a Raj Kapoor, who was a producer-director.
I am open to all scripts and I am not very picky.
As an actor, one is constantly reading scripts and interacting with creative teams. Sometimes, things work and sometimes, they don't. It's never in an actor's hands.
When trying to teach someone a boundary, they learn less from the enforcement of the boundary and more from the way the boundary was established.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
As an actor, I'm always looking for scripts that I relate to, in some way, and things that are interesting and different. If it's combining romance and action, I'm not missing out on anything. I get to do it all.
When I came to Mumbai, I knew that I am an actor but I am not a working actor. To keep this actor alive, I had to feed him, I took up the casting job so that I can run my house.
I have a theory of living on the boundary: on the boundary of patriarchy and the boundary of different dimensions.
I don't prepare for anything very well. I am not a good actor. I don't read scripts.
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