A Quote by Sidney Lumet

For any director with a little lucidity, masterpieces are films that come to you by accident. — © Sidney Lumet
For any director with a little lucidity, masterpieces are films that come to you by accident.
I love silent cinema but don't hold it sacred. Like any branch of film there are some very boring films alongside the masterpieces.
To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.
I never did anything worth doing by accident, nor did any of my inventions come by accident; they came by work.
I never did anything by accident, nor did any of my inventions come by accident; they came by work.
They seem much rarer now, those auteur films that come out of a director's imagination and are elliptical and hermetic. All those films that got me into independent cinema when I was watching it seem thin on the ground.
From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
I never did anything worth doing by accident, nor did any of my inventions come indirectly through accident, except the phonograph. No, when I have, fully decided that a result is worth getting, I go about it, and make trial after trial, until it comes.
I never expected to become a director. It never occurred to me to come to America, to Hollywood. It's all been a wonderful accident. I'm still amazed every time I finish a film.
Never ever I went to any producer/director for films and I never accepted small role in any film following 'Junglee.'
Films with predominantly white casts can come in any form, tell any story, big or small. For black films, you have the light, fluffy rom-coms or 'Madea' movies, and then you have the black-torture awards movie.
I'm a living example of getting into films backwards. Merely by accident. Exposure to films and ideas is the best thing that colleges can do.
I was labelled a jinx. No one wanted to work with me. I was home for about six to eight months without any films. I did modeling. In fact, at one point, I contemplated quitting films. That's when director Ameer called me for 'Paruthiveeran' and I cannot thank him enough for it.
The irony of a director going to film festivals is you never get to see any of the films.
People think a director teaches acting. But in good films a director doesn't.
I'm trying to avoid any more asshole roles, at least for a little bit. The main criteria for me when choosing a project is a good director. I just want to work with these guys that I admire because I do want to direct my own films one day, and I want to pick their brains to see what their process is like, and see what I can take from that.
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