A Quote by Sidney Lumet

All great work is preparing yourself for the accident to happen. — © Sidney Lumet
All great work is preparing yourself for the accident to happen.
A great friendship was like a great work of art, he thought. It took time and attention, and a spark of something that was impossible to describe. It was a happy, lucky accident, finding some kindred part of yourself in a total stranger." pg. 287
You look at the U.S. budget deficit, and you cannot help but feel that this is a serious accident waiting to happen. And not just a serious U.S. accident, but a serious global accident.
You've gotta believe in yourself, and you just have to work harder at it than you've ever worked at anything before in your life. And if you keep doing that and keep believing in yourself, great things do happen.
When I think back on the work that I've been able to do and the work in my career of the highest quality, a huge portion of that has been on HBO. That didn't happen by accident.
When I'm playing the 1-guard, teams do a great job of just loading up and preparing for my drives and preparing for my three-point shots.
Training-wise, you have to work on your weaknesses, preparing yourself properly for the game, on and off the field.
There is no escaping the fact that, even in a great career, sometimes the best advances happen through luck, chance and accident.
Some women will spend thirty minutes to an hour preparing for church externally (putting on special clothes and makeup, etc.). What would happen if we all spent the same amount of time preparing internally for church—with prayer and meditation?
Many people say they got into their career by accident. The other side of that is that your career is an accident waiting to happen.
Things never happen on accident. They happen because you have a vision, you have a commitment, you have a dream.
More things in politics happen by accident or exhaustion than happen by conspiracy.
I think that, as a white person stepping into doing any sort of anti-systematic-racism type of work, asking yourself, 'What is your intention?' needs to happen on a consistent basis. Check yourself. Check yourself. Check yourself, like, constantly.
Sometimes you can win, and you are preparing to disrupt yourself. Sometimes you don't win, but you are preparing yourself to be better.
Some people are never content with their lot, let what will happen. Clouds and darkness are over their heads, alike whether it rain or shine. To them every incident is an accident, and every accident a calamity.
Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren't a little flower somebody sewed on.
With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.
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