A Quote by Simon Schama
Anyone can write an academic piece directed at other academics. To write something that delivers an argument and a gripping storyline to someone's granny or eight-year-old takes the highest quality of your powers.
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My highest compliment is when someone comes up to me to say, "My 14-year-old daughter, or my 12-year-old son read your book and loved it." I cannot conceive of a greater compliment than that - to write something that as an adult I find satisfying, but also that manages to reach a curious 13- or 14-year-old.
I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
I've often heard academics disparage non-academic writing in terms that suggest it could be a negative in the tenure process, irrespective of the quality of academic work under review.
I try to write for highest common denominator. I don't write for dumb people. I figure if everybody doesn't get it, that's OK. Someone bright enough will get it, and that's who I write for. It's probably not the way to make million-sellers. What can I say? I won't apologize for trying to write for smart people.
I write because writing is something that I have to do. And it doesn't matter whether people like it or not. When I write, I feel the pressure and anxiety that come with taking an empty piece of paper and trying to fill it with something from your own consciousness.
I write for what's left of the eight-year-old still rattling around inside my head.
I write for what's left of the eight-year-old still rattling around inside my head
When I sit down to write a song, there is no filter. I'm not trying to write for anyone or anything specifically. It's just trying to capture a little piece of your soul - even if it's a really ugly part.
I don't want to write things that people don't want to read. I would have no pleasure in producing something that sold 600 copies but that was considered very wonderful. I would prefer to sell 20,000 copies because the readers loved it. When I write books I don't actually think about the market in that way. I just tell myself the story. I don't think I'm talking to a 10-year-old boy or a six-year-old girl. I just write on the level the story seems to call for.
It takes me a very, very long time to write a story, to write a piece of fiction, whatever you call the fiction that I write. I just go about it blindly, feeling my way towards what it has to be.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
Anytime someone basically commissions a piece, I write a song based on something personal to them. I go online and I do research on that person - Wikipedia, YouTube interviews, anywhere I can find a piece of information that kind of tugs at your heart a little bit.
To write an album takes so much focus and selfish time, to just write and think about your life. For me. Maybe not for other people.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
If anyone e-mails you something "by George Carlin," there's a 99 percent chance I did not write it. I didn't write "Paradox Of Our Time." I didn't write "George Carlin On Aging." I didn't write a eulogy for my wife after she died. I didn't write the New Orleans thing. I didn't write "I Am A Bad American." None of them. You know what I've decided to do? I'm going to get a little cheap put-it-together-yourself website called NotMe.com.
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