A Quote by Simon Sebag Montefiore

A book's title is vital. — © Simon Sebag Montefiore
A book's title is vital.
When I choose the title [for my book], which was my favorite title, I felt sure there was going to be a dozen books maybe with that name already because it's so obvious to me that that's the message. I was surprised it hasn't been the title of a single book. Well, there is a Shel Silverstein children's book called Falling Upwards. But no one has chosen Falling Upward as a title and I'm very happy it's right on the cover.
Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book and I still don't have a title. I have to go through the book again and then sometimes I hope a title jumps out at me from what I've written.
I had thought up the title, 'The Good Luck of Right Now,' several years ago. I had no idea what it meant or what the book would be about but I thought, 'Someday I'm going to write a book with that title.'
Whether it's the NXT title or the United States title or the Intercontinental title or the World title, if I have that title, then that's the most important one.
I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.'
I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.
A good title is the title of a successful book.
In the United States, they always talk about subtitles, about chapters in a book without taking the main title of the book. They talk about a subtitle in a chapter and if you ask them about the headline, the main title, they say they do not know.
Many people think that it is important to have a title before you begin writing the book, but I think you should never sit around waiting for the right title to strike before you start writing. Crack on with the story, put in the hard work, and the title will come eventually.
The thing is, in the WWE, we have the WWE title, the World title, the United States title, the Intercontinental title, the Divas title, the Tag Team titles. And I feel like, in this business, when Mr. Perfect had that Intercontinental title, that was the belt we saw as the stepping stone to becoming 'the man.' The franchise of the WWE.
[On her and husband Michael Dorris:] We both have title collections. I think a title is like a magnet. It begins to draw these scraps of experience or conversation or memory to it. Eventually, it collects a book.
If reading makes you smart then how come when you read a book they have to put the title of the book on the top of every single page? Does anyone get halfway through a book, What the hell am I reading?
If any ambitious man have a fancy to revolutionize, at one effort, the universal world of human thought, human opinion, and human sentiment, the opportunity is his own -- the road to immortal renown lies straight, open, and unencumbered before him. All that he has to do is to write and publish a very little book. Its title should be simple -- a few plain words -- My Heart Laid Bare. But -- this little book must be true to its title.
I think titles are tricky because they're like a really short ad for the book. And like an ad, they should open the door in a way that might be more accessible than the book itself. So I always like titles to be familiar. I'm not trying to break ground with the title itself. The title should feel like something already celebrated.
Vee said," I'm trying to read the title he's holding…hang on…How to Be a Stalker." "He is not checking out a book with that title." But I wasn't so sure. "It's either that of How to Radiate Sexy Without Trying.
The librarian's mission should be, not like up to now, a mere handling of the book as an object, but rather a know how (mise au point) of the book as a vital function.
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