A Quote by Simon Sebag Montefiore

I always wanted to write a history of Jerusalem. — © Simon Sebag Montefiore
I always wanted to write a history of Jerusalem.
Through a historical catastrophe - the destruction of Jerusalem by the emperor of Rome - I was born in one of the cities in the diaspora. But I always deemed myself a child of Jerusalem, one who is in reality a native of Jerusalem.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
I always wanted to write a page of history with PSG.
What I wanted in life always was to write something as good as 'Pinocchio.' I wanted to write. I wanted to evolve. I wanted to grow.
I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.
As mayor of Jerusalem, I wanted the government to invest the necessary funds in order to unite the city in an effective manner with full rights for the Palestinians living in Jerusalem, so the world would say, 'Okay, it can work.'
Jerusalem is old, Jerusalem is new, Jerusalem can hold Moslem, Christian, Jew.
I always wanted to open a delicatessen in Jerusalem and call it 'Cheeses of Nazareth'.
The Palestinians must be brought to an understanding that Jerusalem will always remain under Israeli sovereignty and that there is no point for them in opening negotiations about Jerusalem.
I wanted to be a part of history and not just a recorder and teacher of history. So that kind of attitude towards history, history itself as a political act, has always informed my writing and my teaching.
I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
I always wanted praise and I always wanted attention; I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
The view of Jerusalem is the history of the world; it is more, it is the history of earth and of heaven.
In the Jewish tradition, there is at the same time Jerusalem in the heavens and Jerusalem on the ground. Jerusalem is a living city, but also the heart, the soul of the Jewish people and the state of Israel.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
I wanted to be free to write the way I wanted to write, and my impression of Christian publishing, at least in fiction, was that there wasn't room for what I wanted to write.
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