A Quote by Simon Sebag Montefiore

I love the flamboyance, the melodrama, the bloody theatre of Russian history. — © Simon Sebag Montefiore
I love the flamboyance, the melodrama, the bloody theatre of Russian history.
A revolution is bloody, but America is in a unique position. She's the only country in history in a position actually to become involved in a bloodless revolution. The Russian revolution was bloody, Chinese revolution was bloody, French revolution was bloody, Cuban revolution was bloody, and there was nothing more bloody then the American Revolution. But today this country can become involved in a revolution that won't take bloodshed. All she's got to do is give the black man in this country everything that's due him, everything.
If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the worldis provided by a writer. Farce is acted. The writer's contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
Me, I want to bloody kick this moronic bloody world in the bloody teeth over and over till it bloody understands that not hurting people is ten bloody thousand times more bloody important than being right.
I love going to see the theatre whether it's a Broadway play or a Russian ballet company.
I am proud of Russia and I am sure that the vast majority of Russian citizens have great love and respect for their Motherland. We have much to be proud of: Russian culture and Russian history. We have every reason to believe in the future of our country. But we have no obsession that Russia must be a super power in the international arena. The only thing we do is protecting our vital interests.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
Flamboyance and fortitude, femme and butch-not poses, not stereotypes, but a dance between two different kinds of women, one beckoning the other into a full blaze of color, the other strengthening the fragility behind the exuberance. We who love this way are poetry and history, action and theory, flesh and spirit.
If you love theatre, do theatre wherever you can, because theatre is theatre, and you can experience it anywhere.
History is not melodrama, even if it usually reads like that.
If, in schools, we keep teaching that history is divided into American history and Chinese history and Russian history and Australian history, we're teaching kids that they are divided into tribes. And we're failing to teach them that we also, as human beings, share problems that we need to work together with.
Ballet is certainly appreciated in New York, but it has been a part of the Russian culture, history and heritage for hundreds of years, so it's much more instilled in the Russian blood.
I love the good Russian world, the humanitarian Russian world, but I do not love the Russian world of Beria, Stalin, and Shoigu.
I lived next to Russian soldiers. We had Russian army guys in our house when I grew up. We made lemonade for them; they were everywhere. I had a Russian school. I grew up with Russian traditions, I know Russian songs... it infiltrates me a lot. I even speak a little Russian.
I went to study in Spain for a year after school. It was either that or Russian, so I went for the easy option. I love Spain and go quite regularly. I've done a bit of Spanish theatre.
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