A Quote by Simon Sebag Montefiore
I'm an enormous fan of American literature, and especially the great novels of Larry McMurtry, 'Lonesome Dove,' Cormac McCarthy, Elmore Leonard.
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Lonesome Dove is a great book that had the rare fortune of being made into a great movie. And now, through Bill Wittliff's photographs, we have a third generation of Lonesome Dove artistry. The same creative power and conviction that allowed Larry McMurtry to transform a workaday scenario for an unproduced screenplay into one of the greatest novels of our time, and that transformed that novel into the greatest western movie ever made, are on display in this collection. A Book of Photographs from Lonesome Dove is a masterpiece begot by a masterpiece begot by a masterpiece.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
'Lonesome Dove' by Larry McMurtry and 'The Poisonwood Bible' by Barbara Kingsolver have stuck with me throughout my life, and I think that says a lot about an author's writing.
I love Elmore Leonard. To me, True Romance is basically like an Elmore Leonard movie.
I've always said that Guy Clark is a regional songwriter without being regional. He's global. His craft is like, well, Larry McMurtry would be an example. I kind of see Guy Clark and Larry McMurtry in the same wave.
I'm a huge Cormac McCarthy fan and have read every book of his.
They're such different things [Townies and Lonesome Dove]. I certainly love them both. Certainly Lonesome Dove would be way hard now, because, I mean, back then I wasn't married.
I'm a huge Ang Lee fan and a huge Larry McMurtry fan.
I don't read 'genre' fiction if that means novels with lots of killing and shooting. Even Cormac McCarthy's 'No Country for Old Men' seemed pretty childish in that regard.
Cormac McCarthy's language is perfect. He is in my view the greatest living American prose stylist.
I'm a big fan of Elmore Leonard, and I've read Ian Rankin, Christopher Brookmyre and so on. But I'd never read a crime novel that made me feel emotional at the end.
A part of that [timewrap] for me was growing up in a culture that violence had always been a part of. It wasn't an aberration, though I realize that in retrospect. I grew up in the part of the U.S. where all of Cormac McCarthy's novels are set and that's a pretty violent place.
'Suttree' is a fat one, a book with rude, startling power and a flood of talk. Much of it takes place on the Tennessee River, and Cormac McCarthy, who has written 'The Orchard Keeper' and other novels, gives us a sense of river life that reads like a doomed 'Huckleberry Finn.'
The Ploughmen is as good a book as I’ve read in years. Kim Zupan’s language is as rich as Cormac McCarthy’s, and like Cormac’s, it comes from ground-zero of the heart. I’m also reminded of James Lee Burke’s sure-footed prose and delight in metaphor. Luminous...nothing short of brilliant...a firstnovel that leaves me impatient for the next.
Like Richard Price and the late, great Elmore Leonard, Matt Burgess is one of those cool, quick and funny writers who can turn a seemingly routine crime caper into something special.
I love everything that Cormac McCarthy has written.
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