A Quote by Simone de Beauvoir
I was struck by the absence, even among very young boys and girls, of any interior motivation; they were incapable of thinking, of inventing, of imagining, of choosing, of deciding for themselves; this incapacity was expressed by their conformism; in every domain of life they employed only the abstract measure of money, because they were unable to trust to their own judgment.
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Toward the end of the campaign, we interviewed some voters in Raleigh, N.C., which is a generally Democratic city, and I'm thinking of a young couple. They had two kids. They described themselves as Christian. They oppose gay marriage. And they were saying that even though they didn't like Donald Trump, they were thinking of voting for him. And one of the reasons was they felt that they were - their very views were making them socially unacceptable. They were feeling a little alienated from the world.
I remember realizing, when I did Little Women [1994], that that was the only time girls that age were being written about. It was always boys - from David Copperfield to Lord of the Flies to Holden Caulfield. There were never young women going through adolescence or teen years; there were only little girls.
Why were the little girls all frightened To be just what they are The boys were told to ask themselves How high how far The girls were told to reach the shelves While the boys were reaching stars That's why little girls were frightened To be just what they are.
I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls. There was just this sense that all these young women knew there were openings here to be the first of their kind.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
I've found that when I was young, all the pretty girls at school got all the dates and went to all the big parties and everything because they were pretty. They never bothered to develop anything. And as they aged, their prettiness faded and they were left as middle-aged women who were very, very unhappy and disappointed. But I can't feel sorry for them because that was their own doing.
Whether we are aware of it or not, every act of trust carries with it a shiver of fear. A favorable situation can become dangerous. Deep down we know that life is insecure and precarious. However, if we do trust, the shiver carries with it a philosophical optimism: Life, with all its traps and horrors, is good The bet is implicit in trust itself. If we could be sure of everyone and everything, trust would have no value - like money, if it were suddenly limitless, or sunshine, if there were always fine weather, or life, if we were to live forever
The boys of my people began very young to learn the ways of men, and no one taught us; we just learned by doing what we saw, and we were warriors at a time when boys now are like girls.
Every minute of his life since then has been marked by her absence, every action has lacked dimension because she is not there to measure against. And when I was young I didn't understand, but now, I know, how absence can be present, like a damaged nerve, like a dark bird.
In the earliest years of the AIDS crisis, there were many gay men who were unable to come out about the fact that their lovers were ill, A, and then dead, B. They were unable to get access to the hospital to see their lover, unable to call their parents and say, 'I have just lost the love of my life.'
Every day, every scene, you were like, "My god. I'm doing a scene with Brian Cox today and then I'm onto a scene with Stephen Rea." For us young actors, I think we were all very, very star-struck and impressed by the caliber of everyone who came out.
Even if the absence of evidence for a given god were not evidence of its absence, it would still be evidence that the belief in that god is unreasonable. That's the only proposition that any atheist of any kind has to demonstrate in order to win the argument. Because anything beyond that... is just having fun.
The 70s were a wonderful time to be young. I think most young people at that time were pushing the boundaries, asking all sorts of questions of society, of life and of themselves. They were very politicised. It was part of the air that we breathed.
I was the last one of nine kids - eight girls and me last - and my sisters were going out. They were teenagers. And as they were getting ready, I would sit on the bathtub and watch them put on makeup and transform themselves - you know, putting on clothes and giggling about the boys they were going to meet and everything. So for me, that was an amazing thing - the fact of transforming themselves.
There were boys in my class who would stick pencils in my curls, and say 'oh it's like a cushion' and laugh at me. Even my body type was very different from the other girls in my school. So I grew up thinking that I don't look good enough.
My family didn't have very much money, so ballet wasn't even on my radar; I just found it randomly when I was 13 at a Boys & Girls Club. We were practicing in a basketball court in gym clothes with some old socks on. Even though it terrified me at first, I found that I really liked it.
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