A Quote by Sofia Coppola
I always try to make the soundtrack a good CD on its own.
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From an acting perspective, I would say that you should always try to make your own stuff. Always be ambitious about your own projects and always know better than anyone else what you're good at.
A good score should have a point of view all of its own. It should transcend all that has gone before, stand on its own two feet and still serve the movie. A great soundtrack is all about communicating with the audience, but we all try to bring something extra to the movie that is not entirely evident on screen.
The soundtrack in the poetry is the soundtrack from your own heartbeat.
I remember, after getting my very first CD player for a birthday, I immediately purchased the soundtrack to the movie 'Grease.'
I'm always gonna be all over my CD the most, of course. My talent is my talent. I ain't really tripping off no ego; I just like to make good music with good people.
When I wake up, I expect things to be good. If they're not, then I try to set about trying to make them as good as I can 'cause I know I'm gonna have to live that day anyway. So why not try to make the most of it if you can? Some days, they pan out a little better than others, but you still gotta always just try.
I think the best advice I give is to try not to write. Try not to overwrite, try not to make it sound too good. Just use your own voice. Use your own style of putting it down.
Personally, I wouldn't wait around for someone to tell you you're good enough before you make your own comics. Just make them, always try to improve and care about what you're doing. Be relentless and never give up.
Maybe what life needs is a good soundtrack, especially during the long stretches when nothing interesting is being said. A soundtrack might dignify things a bit, ennobling us with the proper drama and tension and pathos.
A lot of my friends loved Pearl Jam, so whenever I'd hang out with them, that was usually what CD - not album - back then, it was what CD, maybe even tape, but what CD was playing.
I try to make classics. I don't try to make things that aren't good. It's always a pleasure to see that people care about the kind of music I'm making.
There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music.
It's a holistic process for me during a show. I'm always focusing on the technical aspects of my voice. I try to make my voice do what I want. One big thing I do to improve on each show is to listen back to performances on CD while on tour.
I am a big fan of A.R. Rahman and Mani Sharma, and I went to a shop to buy these music directors' CD. But I had only Rs 100, and Rahman's CD cost more, so I couldn't buy both. So I bought Rahman's CD and stole Mani Sharma's CD.
When you make a movie with a lot of music in it, you can't always put all the songs onto the soundtrack. They just don't all fit.
What I have done is always try to be nice to work with. I make the best impression, try to do a good job... and if people hire me again, it's for the right reasons.
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