A Quote by Sofia Coppola

Forget the audience, make what you want to see — © Sofia Coppola
Forget the audience, make what you want to see
If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.
Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.
I'm listening to the audience. Too many people in Hollywood make what they want to see and not what we want to see. I'm about us. Not about me.
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
I try to just make what I want to make or what I would want to see. I try not to think about the audience too much.
The artist must forget the audience, forget the critics, forget the technique, forget everything but love for the music. Then, the music speaks through the performance, and the performer and the listener will walk together with the soul of the composer, and with God.
I am dealing with people with both sides. I see people who are liberating themselves but they want to forget the world. And I see people who want to liberate the world but they forget themselves. Neither is the way I want to go.
I still get a little nervous before performing. You don't want to forget a lyric; you don't want to make a mistake. I still get butterflies. You can try to judge an audience, but you can only really judge things by the applause.
I don't want the audience to tire of me too quickly. TV would be the fastest way to make them so sick of my face they'd never want to see it again.
I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
The Sophists had this idea: Forget this idea of what's true or not—what you want to do is rhetoric; you want to be able to persuade the audience and have the audience think you're smart and cool. And Socrates and Plato, basically their whole idea is, "Bullshit. There is such a thing as truth, and it's not all just how to say what you say so that you get a good job or get laid, or whatever it is people think they want.
Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
I want to tell stories which require something of an audience, by way of thought, argument, emotion, because I'm more often in an audience than I am a maker of films, and that's the kind of movie I want to see.
I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.
I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men.
I almost never try to make the audience comfortable. I wouldn't want that if I were in the audience.
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