A Quote by Sonali Bendre
The point of human evolution is adapting to circumstance. Not letting go of the old, but adapting it, is necessary.
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The key thing is knowing how to adapt. Adapting to the group that you have at your disposal; adapting to the place where you're working; adapting to the local environment. This is crucial: adaptability.
I think acting is really fully adapting - to your surroundings, to your emotions, to the people that you're working with, to being tired, to want to go home, to being lonely, to being happy. It's adapting for me, and trusting. Adapting and trusting, that's my format right there.
Adapting old programs to fit new machines usually means adapting new machines to behave like old ones.
But my question is, am I compromising by adapting my words for the audience and where is the line beyond which I am not adapting words, but changing my position?
Learning a [skateboard] trick is kind of like a puzzle; you have to keep trying, and trying, and trying, and adapting and changing, and adapting and changing, and finally it works.
I was in Los Angeles making 'Dead Again' and the producer, Lindsay Doran , asked me if I'd be interested in adapting this book, .. Austen is my favorite author and I thought, 'Well, of course, I'd be very interested, but I don't know how. I don't know where to start, A, writing a screenplay and B, sort of adapting it from a great novel.
Evolution is all about passing on the genome to the next generation, adapting and surviving through generation after generation. From an evolutionary point of view, you and I are like the booster rockets designed to send the genetic payload into the next level of orbit and then drop off into the sea.
I spend a lot of time thinking about this business of letting go - letting go of the children God gives to us for such a brief time before they go off on their own; letting go of old homes, old friends, old places and old dreams.
Human beings are very good at adapting to what happens.
Human creatures have a mervellous power of adapting themselves to necessity.
In the course of evolution, it constantly happens that, independently of each other, two different forms of life take similar, parallel paths in adapting themselves to the same external circumstances.
I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.
We must only learn that independence cannot be gained by a rebellion against the constitution of the universe, or by inverting the laws of life and evolution, but by comprehending them and adapting ourselves to the world in which we live.
Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.
When you stop adapting, you lose your edge and you can only go down.
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