A Quote by Sonu Sood
In 'Paltan,' I play a braveheart, Major Bishwant Singh, who was feared by the Chinese. They called him Tiger Nathu La. I feel blessed to have got an opportunity to play a real-life hero and bring to screen an untold story of our history.
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There is this film called 'La Femme Nikita.' I want to play something like that. This woman with a gun in her hand but with tears in her eyes. I would love to play that kind of vulnerability on screen.
I've got an incredible family, I've been blessed to play a game for a living, and even more than that, I've been blessed to have the ability to play it and the ability to play two sports at the same time. There's not many people that are able to do that, so yeah, I feel very lucky.
Singh Is Bling' is a fun, entertaining film. I play a mad, geeky character called Imli. She has no sense of style. I am nothing like her in real life.
I was doing a play in New York, which we had done in New Haven, Connecticut. It was an American premiere of a play called The Changing Room written by a wonderful man named David Story. It was about a rugby team in the North of England. It got just screaming rave reviews. At that time, virtually every major critic went up to the Long Wharf Theater to see a new play like that.
I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.
I have not chosen to create a linear story, but a series of different narratives: in the end there are five plays that almost, but don't quite, add up to one play... I start with the story of Candide, being performed as a play within a play, to bring the audience up to speed with the story.
When I got to LA and was with the James Gang, I got the opportunity to write a lot, to play in front of large audiences, make some money.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
I feel so lucky to partner with Awesomeness to bring my story to the big screen. I started out making videos as a way to connect and am thrilled by the opportunity to share one of the most exhilarating years of my life.
There's not a Sunday that goes past that I'm not excited to play this game. I feel as if I'm a lucky individual to have the opportunity to play this game, and when I do have the opportunity to finally play, you can bet your last dollar I will be excited to play.
I feel blessed to be playing a character called Rajinikanth on screen. This is our tribute to the superstar.
It has nothing to do with money. We don't play for Australia to get paid. We play for the pride of our country and the opportunity to create history and be the best team in the world.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
I really feel blessed to be in a position I am, to even have an opportunity to play in the league.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
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