A Quote by Sophie Anderton
I went on Love Island thinking I was quite headstrong but it turned out I was quite emotional.
Related Quotes
I used to write out of angst. My writing was quite miserable, quite angry, even when it was funny. It was based on this sadness and tired emotional disdain for the world.
Quite often I play roles that require quite a degree of emotional exposure, and they can be very difficult to do.
For my family, it was quite emotional because it has always been a dream of mine to be in Formula 1. For them, to see it come true was quite a special feeling.
I went to Poland for the Warsaw Film Festival, and it was quite an intense experience. I didn't think it would be, but it did feel quite emotional to go back to this place I'd heard so much about.
Although no man is an island, you can make quite an effective raft out of six.
I used to think she was quite intelligent , in my stupidity. The reason I did was because she knew quite a lot about the theater and plays and literature and all that stuff. If somebody knows quite a lot about all those things, it takes you quite a while to find out whether they're really stupid or not.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
For the Tintin books were my emotional universe. To read them felt quite simply like being loved: in advance and by an entire world of pure possibility, my future. But to write to the author was to reach out for the lover. Even today, the power of reading one remains visceral: each book acts as a form of transportation, not just to the emotional landscape of this first literary love affair but to very specific memories.
People say it's cathartic to write a book, but it turned out to be quite painful!
I was born on the island of Singapore, and I grew up there until I was 11 years old, when I was forcibly removed by my dad and planted into suburban Houston. I was in shock for the first year and then began to really love it - but didn't love it quite enough to stay.
For me, as a writer who comes from quite a naturalistic tradition, British screenwriting is quite delicate, quite small, and rarified in a way.
...quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.
My style as a human being is to indulge people who need to escape, yet I insist on confronting them as a playwright. It's quite embarrassing, it's quite unpleasant, it's quite awkward.
My whole family are in the entertainment industry. It is always something I was used to; I was quite lucky growing up. To all my friends, it was quite exciting, but to me it was quite normal.
I think quite a lot of people have a friendship or a love that's gone like that and it never quite reconciles properly.
I love this idea of being able to touch people with something quite familiar, something quite emotional, and at the same time, have the feeling that this is a new way of doing it, a fresh way of showing things. I like radical people. At the same time, I'm fascinated by popularity, people who were able to have huge success and also keep their consistency.
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