A Quote by Sophie Dahl
Writing is very different to having your photo taken. You are exposing yourself more, not physically but emotionally.
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There are days when you are busy even without having work as you are going for auditions. So you are not acting in a way. To sustain yourself mentally, physically, emotionally is challenging for sure.
'Medea' is an enormous challenge for an actor physically, mentally, emotionally. You have to dig very, very deep, and to work, your performance has to be very personal.
You think he's going to like you better, but then one day you look in the mirror and realize you've changed yourself - physically and emotionally - into a woman who's totally different from the one he was attracted to the first place.
It becomes second nature, you know when it comes to life or death and loved ones leaving, having to be there for your family, not just emotionally, but financially or physically.
I had to be physically and emotionally naked, show both my body and soul. I felt emotionally vulnerable and physically exposed, it was a hard choice to make but I was intrigued since the beginning. I think that...the things that scare you the most are the ones you gotta do.
Having a two-year-old is very hard. I feel like I'm in a relationship with an emotionally unstable woman who is also physically abusive and never gets in trouble for it.
I'm very self-conscious having my picture taken, so I clown around. My driver's license photo looks like a blonde Elvis.
'Time in a Tree' is a song about when you find yourself in a busy state of mind, which I often find myself in. Sometimes it can feel like you can't physically get out of it, or you can't mentally or physically bring yourself out of that... it's like having traffic in your brain.
D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
When you're so physically and emotionally invested in something - like you have to be in MMA - there's nothing like having your friends and family there to support you on fight night.
By exposing yourself to risk, you're exposing yourself to heavy-duty learning, which gets you on all levels. It becomes a very emotional experience as well as an intellectual experience. Each time you make a mistake, you're learning from the school of hard knocks, which is the best education available.
You have to go out there and give a piece of yourself -- your life, your soul. And you better give the audience everything you can -- physically, emotionally, musically. Then maybe they'll accept you and give you a standing ovation at the end.
When you look at a photo twenty years from now, if you look at a photo of a moment in your life, or some friends, or yourself, you just have a lot more information about what that memory was. That's exciting to me. It's like a form of time preservation, I suppose.
We also have a piece about the Mayflower, but it's just a very different, very gritty, very character-driven version of why those people were on that boat and what the experience was like for them, emotionally, physically and spiritually, and also the Native Americans and what the state of Native American society was at that time.
It's like learning to fall properly. If you can manage not to tighten up you won't hurt yourself as much. The same theory applies to your day, physically and emotionally. The tensions simply can't take hold.
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken.
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