A Quote by Sophie Dahl
I know part of nostalgia is romanticising the past, but I love doing things in a slower way, and the glamour of bygone eras.
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Literature is always about bygone times. It's always looking back in time with a certain perspective. I look at bygone life which no longer exists, and as I said, I look at it without nostalgia but without anger, either. I look at it with criticism and with compassion. I look at it with curiosity.
I think cinema is so visually driven now, and people are so taken in by the glamour, gloss and all things good looking that we don't appreciate the craft as much as we used to in the bygone era.
I think that's what the most fascinating part of getting to know someone is - to see how they do things, and how their way of doing things is different from your way of doing things, and the fun of trying to do it their way and to see what value there is in looking at things from their perspective.
Murray said, ´I don´t trust anybody´s nostalgia but my own. Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past. The more powerful the nostalgia, the closer you come to violence. War is the form nostalgia takes when men are hard-pressed to say something good about their country.´
I love things that are old and glittery, that come with layers of glamour and past lives.
Sentimentality and nostalgia are closely related. Kissing cousins. I have no time for nostalgia, though. Nostalgics believe the past is nicer than the present. It isn't. Or wasn't. Nostalgics want to cuddle the past like a puppy. But the past has bloody teeth and bad breath. I look into its mouth like a sorrowing dentist.
I believe nostalgia has many appearances and that it's not just the privilege of adults. I think children too can have nostalgia. It's one of mankind's most shared emotions. It's one of the things that makes us human. When you live, you lose things. It's a fact of life. So it's natural for everyone to have nostalgia.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
I may be a step slower than I was before reaching 30, but I'm doing all the right things. I guess there are some guys who would take it easy in the latter part of their careers, but I'm stepping it up.
I think magazines like Glamour have the ability to have a great impact. Glamour has the ability to expose them to things like feminism that they may not be well acquainted with. In fact, Glamour has done that in the past - when I was in eighth grade I read an article in Glamour magazine about female feticide and infanticide that actually sparked my entire interest in feminism. I hate it when some feminists say we should get rid of beauty and fashion magazines - I think there's room in feminism for fashion, for fun, for talking about sex and friendships and relationships, etc.
Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's there
Nostalgia is partly illusion in that we remember things differently as we get older, etc. But that doesn't mean, when historians look back on the 1950s, say, from the year 2090, it won't be judged as a saner, slower, less narcissistic, more family-focused, and economically secure time.
When everything is dark, when we are surrounded by despairing voices, when we do not see any exits, then we can find salvation in a remembered love, a love which is not simply a recollection of a bygone past but a living force which sustains us in the present. Through memory, love transcends the limits of time and offers hope at any moment of our lives.
In the sense that writing is to retrieve the past and stop the passing of time, all writing is about loss. It's not nostalgia in the sense of yearning to bring back the past, but recognition of the erosion of things as you live.
If it is within limits and forms part of the storyline, I have no hesitation in doing glamour roles.
I think that all human systems require continuous renewal. They rigidify. They get stuff in the joints. They forget what they cared about. The forces against it are nostalgia and the enormous appeal of having things the way they always have been, appeals to a supposedly happy past. But we've got to move on.
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