A Quote by Sophie Dahl

I like routine, and cooking became a ritual when I was modelling in New York. My life was nomadic, so making supper felt like an announcement that I was home. — © Sophie Dahl
I like routine, and cooking became a ritual when I was modelling in New York. My life was nomadic, so making supper felt like an announcement that I was home.
New York feels like a sublet of Europe. And Europe is a sublet of New York. Put it that way. It's so accessible. When I was in LA, I felt so far away from my home. Home, for the moment, is here until it's not. I like to move around with my work. I feel it's a great way to learn about life, about new cultures, and to learn. We'll see where the wind takes me.
I loved New York, but I never quite felt like New York was my home either.
I did a lot of lingerie modelling, like, for plus-size, like Macy's and Dillard's and Bloomingdale's. I was, like, on a billboard in New York one time in, like, a bra and underwear. Yeah.
I kinda feel like if I can do what I like in New York - and I like New York, I was born in New York, I have a lot more of a connection to New York - the hope is to stay in New York.
New York was a new and strange world. Vast, impersonal, merciless.... Always before I had felt like a person, an individual, hopeful that I could mold my life according to some desire of my own. But here in New York I was ignorant, insignificant, unimportant--one in millions whose destiny concerned no one. New York did not even know of my existence. Nor did it care.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
If you can't write like New York, you have no business living in New York and making New York the locale of your stories.
I like to make big decisions when I am at home living a routine life, getting up, walking my dog, having breakfast, when I have no pressure. I do not like doing it when I making a film. It is too stressful.
Even cooking at home, the difference between my wife cooking and me cooking is major. When my wife cooks, the kitchen looks like a disaster. When I cook it's completely clean and organized and it doesn't look like anyone has been cooking in there.
It was funny being at high school and also grocery shopping and having a job. Other kids were going home to their parents, who were doing their laundry, and I was like, 'Wait, what?' I was super isolated. I was 16, alone in New York, and modelling.
[Immigrating] didn't burn out my desire to travel, though that can happen. There's nothing like immigration to make you want to just stay put. But what I think of as home is this life between Santo Domingo and the parts of New Jersey and New York City that were my childhood, so in my mind it's like home is all those things combined.
I became an actress way into my 30s because I thought that I had to find my own way, and that's why I worked so much in modelling, until I realised that the differences between acting and modelling weren't that great. I always say that modelling is a little bit like being a silent actress.
It's a love-and-hate relationship with New York. Much like Hong Kong, it's expensive, crowded, the weather is not so nice. But New York is home, and I love New York.
I'm connected to both places because I already feel like New York is my home. But then again I feel like L.A. is my new home and Israel is my real home.
I've been in New York my whole life. It's changed so much; it's not the New York that I grew up with. All the landmarks of my childhood are gone. I do kind of feel like a bitter old-timer, like, 'These kids don't know what it was like.'
Derek Jeter always felt like New York: the good-looking single guy for all those years. He felt like a Yankee.
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