A Quote by Sophie Dahl
That's the whole thing about fashion: it's fantasy. To dip into that at 18 and 19 was amazing.
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There are so many levels in fashion that I'm happy to dip in and dip out of it all.
My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden, even though they're only, like, 20.
My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden even though they're only, like, 20. I'm the opposite of that.
I'm from Arkansas, so I didn't even know who Howard Stern was until I was about 18 or 19. I only kind of knew what I had heard about him; then I saw him doing his thing. That's what I really liked about him.
When I was 12, I was living in Iowa, and I emailed so many wrestling schools, and one of them was actually in Boston. I joined it at 18 - the New England Pro Wrestling Academy. They were doing a fantasy camp. I was 17 about to turn 18. I told my mom, 'I'm 18 now. I just signed these papers by myself, and I'm going to do this.'
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
Fashion is not about buying a second skin. Fashion is about having a fantasy.
What's amazing about 'Game of Thrones' is that it's set in a fantasy world; it's a fantasy story. So I always say that with the score, we're open to do whatever we want.
When you're 18, 19, you think you know everything, but you have no clue about anything.
When I was about 18 or 19, I told my father that I want to be an actor, and he was shocked.
There is nothing "useful" about fashion, which is why it is fashion and not clothes. My personal opinion about the runway is that it should be used to whisk the audience off to a fantasy world that is possible, but not probably. It should delight and inspire.
The thing about Tolkien, about The Lord of the Rings, is that it's perfect. It's this whole world, this whole process of immersion, this journey. It's not, I'm pretty sure, actually true, but that makes it more amazing, that someone could make it all up. Reading it changes everything.
The challenge is simple: Quitting when you hit the Dip is a bad idea. If the journey you started was worth doing, then quitting when you hit the Dip just wastes the time you’ve already invested. Quit in the Dip often enough and you’ll find yourself becoming a serial quitter, starting many things but accomplishing little. Simple: If you can’t make it through the Dip, don’t start. If you can embrace that simple rule, you’ll be a lot choosier about which journeys you start.
I started with the guitar around 12 years old but didn't learn the banjo until I was about 18 or 19.
I think I was about 18 before I decided I wanted to pursue acting. I went to drama school in Western Australia when I was 19.
The thing about the 2008 season which sticks out for so many people was we were coming off the 18-1 year where we went to the Super Bowl and lost in dramatic fashion with the catch and everything else that happened.
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