A Quote by Spike Jonze
I was lucky enough to know Maurice Sendak, and talked to him about doing the movie. For a while, I was really apprehensive of it, because Where The Wild Things Are is a book I love so much, and I didn't want to add something to it just to be able to make a movie, or put my stamp on it, or something like that.
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The fact that Maurice Sendak said, "This is something that I made at your age, this was something that was personal to me, and now you need to take it and make something that's personal to you." I don't know, but we made the Where The Wild Things Are movie that we set out to make, and Maurice loves it. If Maurice was anxious about it, then I would be petrified.
There's a book called 'Where The Wild Things Are,' by American writer Maurice Sendak... it really is the most sublime book. It's a picture book, but it works at so many levels, and it's fantastic.
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
Maurice Sendak never - I remember he said something that was very striking because it's something I never thought about. I always loved his work, and he said, 'I don't really view myself as a children's book author. I just try and write about childhood as honestly as I can.'
I really love movie soundtracks and stuff like that. That's really a huge part of any movie. I actually think about... that this would be cool in a movie or something, like when I'm writing a song, or something you know?
Am I doing the movie because I'm really excited about it and want to do it, or am I doing it because it seems like it's a big budget or something like that? It would still have to be the right thing, because my lifestyle's really cheap and I'm able to exist doing smaller movies, so if I'm able to do that, I'm happy to do that. But if something bigger came along that seems really cool, then that would be great.
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't have enough experience to make the movie something special.
When I first moved up to San Francisco to write Where The Wild Things Are, I had a couple moments where I talked to somebody, and they're like, "Oh, I love that book. I love this part of it," or, "This is what it means to me." And it's like, "Well, I don't know. I guess that's not what I'm making the movie about." But very early on, I don't know, we sort of let go of that fear.
When Maurice touched a keyboard, it was like something from a movie, magical. He would always give you something from a movie, and you'd go, what did you just play... immediately inspirational writings, amazing. That's what we're going to miss.
I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.
You become self-conscious and you begin to criticize yourself so much and watch yourself, and I don't want to ever do that. I want to be able to be free and explore. So I won't really watch it, but I would love to do, like, The Incredibles, or something like that. I would love to do a movie that's really, really good and animated. Inside Out, something like that. Something really smart.
I read books all the time. I'm just half looking for something to do; I mostly just read for pleasure. Occasionally I stumble across something that could be a movie, but I don't put a book down just because I don't see a movie in it, either.
It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.
I've always loved the wild rumpus in 'Where the Wild Things Are' by Maurice Sendak, because the words disappear, the pictures take up the whole page, and we move forward in the story by turning the pages.
I know a movie and a book are two different things and you are going do different media in different ways. No author can want a movie to be exactly like the book because then it will be a bad movie.
My first gig ever was writing looplines for a movie that had already been made. You know, writing lines over somebody's back to explain something, to help make a connection, to add a joke, or to just add babble because the people are in frame and should be saying something.
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