A Quote by Spike Jonze

I think because I'm not a parent, my most immediate connection to childhood is my memory of my own childhood. — © Spike Jonze
I think because I'm not a parent, my most immediate connection to childhood is my memory of my own childhood.
We find that even the parents who justify spanking to themselves are defensive and embarrassed about it....I suspect that deep inthe memory of every parent are the feelings that had attended his own childhood spankings, the feelings of humiliation, of helplessness, of submission through fear. The parent who finds himself spanking his own child cannot dispel the ghosts of his own childhood.
I think that we are all much closer to our childhood selves than we often think, so when we read about childhood, it can surprise us how immediate or moving it is, when perhaps those feelings are just there, waiting to be accessed all the time.
I appreciate my journey, but I don't want that for my kid. Not any of it. It has nothing to do with whether I liked my childhood. I really did. But as a parent, that isn't the childhood that I'd provide.
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
Because I was in psychiatric treatment for most of my childhood and had to learn English and had to adjust to a white-dominated society, I truly know what being Sudanese refugees [adopting by white family] mean. It's not something that you can explain in the confines of an interview, but there is an immediate comfort, a connection between black phenotypes that is natural.
I don't remember my childhood very well for one reason or another, possibly childhood trauma or possibly just a very bad memory. My early life has sort of been erased from my memory banks.
Childhood has definitely been invented, hasn't it? I think that's because people had children later, and we appreciate and cherish childhood a lot more.
I was born to a black childhood of confusion and poverty. The memory of that beginning influences my work today, It is impossible now to photograph a hungry child without remembering the hunger of my old childhood.
As soon as one knows one is going to die, childhood is over.... So one can be grown up at seven. Then, I believe most human beings forget what they have understood, recover another sort of childhood that can last all their lives. It is not a true childhood but a kind of forgetting. Desires and anxieties are there, preventing you from having access to the essential truth.
So I may not have had a gothic childhood, but childhood makes its own gothicity.
Strangely enough, for many many years I didn't talk about my childhood and then when I did I got a ton of mail - literally within a year I got a couple of thousand letters from people who'd had a worse childhood, a similar childhood, a less-bad childhood, and the question that was most often posed to me in those letters was: how did you get past the trauma of being raised by a violent alcoholic?
There's slowly been a kind of shift in how we think about childhood. It's like childhood almost extends to 20 or 22 even after the end of college. When I was growing up, there was this expectation that you were on your own now.
I asked myself what it was that I wanted from writing and where my connection with books began, and the answer to that question was definitely in childhood, because that's where my connection with reading began.
Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.
If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.
They say that childhood forms us, that those early influences are the key to everything. Is the peace of the soul so easily won? Simply the inevitable result of a happy childhood. What makes childhood happy? Parental harmony? Good health? Security? Might not a happy childhood be the worst possible preparation for life? Like leading a lamb to the slaughter.
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