A Quote by Spike Jonze
I'm not one to intellectualize why I did something.
Related Quotes
As soon as you see something, you already start to intellectualize it. As soon as you intellectualize something, it is no longer what you saw.
Why did I come here? I thought. Why is it always only a matter of choosing between something bad and something worse?
Why did humans lose their body hair? Why did they start walking on their hind legs? Why did they develop big brains? I think that the answer to all three questions is sexual selection.
Why did he have to be so gorgeous? Why did he have to stand so close, and why did I still love him so much?
Oh God. Why, oh why, did I have to be the one to deliver this news? Why couldn’t I be locked away in my room or the library doing something enjoyable, like homework?
I never was very capable of expressing my feelings or emotions in words. I don't know whether this is the cause why I did it in music and also why I did it in painting. Or vice versa: That I had this way as an outlet. I could renounce expressing something in words.
I did 13-something years of talking to wrestlers and promoters about why they did certain things and why they booked matches a certain way and what they were thinking and whether they were satisfied with the draw. And I got a lot of insight in the business.
Sometimes I play something, and I haven't recorded it, and I don't know where it came from, why my hands did what they did, what key it was in, anything.
There's not usually one reason why we do anything and, in fact, often we don't know why we've done what we've done, especially what we have said or why, for instance, in conversation, which can be very tricky. Finally, we say something and think, "Why did we say that?" In retrospect we might know.
I believe in my gut. Most people intellectualize their instincts away, but when you feel something, you have to go for it. A Fistful of Dollars was a great instinct for me, because here I was, a guy who's doing Rawhide.
I do look at songwriting as a lot of work. I don't over-intellectualize music as a special medium that only some people deserve to do. I think it's something you do if you put the work in.
The propensity to intellectualize is itself both essential and dangerous. I think in our modern world we are much more aware of its essential character than of its dangers, and that is why I think of it as being an expression of transcendence.
What makes a show good for me, personally, is a mystery that just doesn't quit. I want to know why. Why did this happen? Why is this phenomenon occurring? Why did that person do that? A series is really good to me that takes its time in answering those questions.
My family called me the 'why kid' growing up. I always needed to know why something is happening, why I had to do something, why whatever.
I have that thrill-seeking mentality, so when people want to know why my incarnations keep changing, or why I'll do something different than I did before, it's that same impulse.
How did I get into the world? Why was I not asked about it and why was I not informed of the rules and regulations but just thrust into the ranks as if I had been bought by a peddling shanghaier of human beings? How did I get involved in this big enterprise called actuality? Why should I be involved? Isn't it a matter of choice? And if I am compelled to be involved, where is the manager—I have something to say about this. Is there no manager? To whom shall I make my complaint?
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