A Quote by Spike Jonze
There were times in 'Adaptation' during the editing where I really thought, 'Okay, well, this was a noble failure. I tried to do something good, but this is not going to work.'
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I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing.
The Yardbirds sort of disbanded, and I was disappointed because I thought what we were doing was really good. I thought we were really onto something. I thought I was really onto something with these ideas that I had.
When I first tried the American accent, for a moment I thought I could never be an actor because I just could not do it. But then I thought, 'Okay, it'll just be something that I work at until I get it.'
I really thought I couldn't be a mum. We had tried several times with IVF,, and it hadn't worked and we'd given up in a way. We both thought, 'You know what, that's that. It's not going to happen - let's move on.'
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
I have to let myself be vulnerable in order to have a good marriage. That's something I'm really going to have to work on. A lot of times I'm really guarded because of what I do for a living, what I've done in my life.
'Sunrise Sunset' is a letter I wrote to a girl I was once with who I really thought I was going to fall in love with. We tried to make it work but always had trouble maintaining a real relationship because we were both so caught up with work, life, and everything else that at the time seemed like it was the priority.
I don't really have the gift of the sustained narrative that you need to write a book. I've tried a couple of times, and it just doesn't work. But I get some good passages, so what I'm going to do is just take sections out of them.
I really loved 'Fast Five.' I thought it was a brilliant movie. I thought it was so well done, well directed. The action sequences were really well thought out. It looked fantastic.
My parents didn't want us on the streets or in trouble, so they thought the best thing was to have us work. I saw how we had to, during bad times, stretch the dollar. And during good times, we couldn't spend it, because you never knew when the bad times were going to happen again. It gave me a great respect for how hard it is to make money.
Everyone, you know, during crises times, is much more focused on, okay, how do we get the boat completely seaworthy, sailing along well, and everything going well? And so as long as you're communicating how the general strategy of the company and how the work they can do to add to that and to make that more successful and the thing that they can contribute to that, that is generally very motivating for employees in crisis times.
I was shocked. They were going to give me money to make this really odd show? Well, I still had little thought of it going to series, but I thought it was great that my next short film was going to be paid for.
I've tried to handle winning well, so that maybe we'll win again, but I've also tried to handle failure well. If those serve as good examples for teachers and kids, then I hope that would be a contribution I have made to sport. Not just basketball, but to sport.
When I write, I tend toward melancholy, and the few times that I've tried pure joy in music, it doesn't really work that well. The joy can be through catharsis. I think that's what I do well, and observation.
My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.
I remember a meeting I had at MGM. It was at the end of their reign. They say we have you under contract, and because you’re under contract, we’d like to you to work. I said, well, that seems fair. But if it’s a really good movie, they were going to give it to a particular actor that was not under contract. The bottom line was they were going to pay you more if it was a bad one and pay you less if it was a good one.
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