A Quote by Spike Lee
I don't think I'm a total pessimist, so I think you can find hope in all my films.
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I mean, I think there's a lot of hope in my work. I don't think I'm a total pessimist, so I think you can find hope in all my films. Some more than others, but there's definitely... I think we want to convey the feeling of hope with the montage at the end.
I don't consider myself a pessimist. I think of a pessimist as someone who is waiting for it to rain. And I feel soaked to the skin.
On one hand, I'm an optimistic pessimist. On the other, I'm a pessimistic optimist. But while there's life, there's still hope, and I wouldn't be doing what I'm doing if I didn't think there was still hope.
Being a pessimist is just such a gloomy way of looking at things, so I have to hope for the best - life wouldn't be worth living if we didn't have hope. And I also do think that human beings often do do wonderful, correct, brilliant things. So, on balance, I'd like to be optimistic about the future.
Some people think I'm a total moron and I would hope most people think I'm very good at what I do.
There's a game called Checkout where there's grocery items and it's how much you think the manufacturer's suggested retail price is and we add up your total, then your total has to be within $2 of the regular total. I don't think I could ever win that game.
I really have to say 'thank you' to our fans, because I think it's difficult for European viewers to find and watch Asian movies, and I hope you enjoy our films.
I don't think 'Shotgon Stories' or 'Take Shelter' have hopeless endings. I think there's hope in both those films, no matter how hard you have to search for it. It's there.
I'm a total pessimist.
If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience.
I'm not a total pessimist; I'm excited by the future as well.
I find that it's a very odd thing to think of competition when you're talking about what I still think of as art. I don't think of competing with actors or filmmakers at all. You do compete, in a way, at the box office, but we're far enough apart when both films are coming out that I'm not concerned with that either.
I hope to direct a few more films before I leave the planet, so I hope I can find the material.
Silent films were, I think, more different than we know to sound films. We think of it as simply that we added dialogue and in actual fact I think it was an entirely different art form.
I think real enlightenment is total sanity, a kind of acceptance of what actually is. It does involve a kind of different way of looking at things. As I've done this Zen practice for years and years, I've acquired what I realize is an almost upside down view of life compared to what most people think, which is just what I used to think it was too. It's not really an insane view, at least I hope it's not.
I always think back to that first night in Brooklyn, where I debuted, and it was this total surprise. I just remember thinking, 'I hope they care. I hope they remember me.' The way they embraced me that night, I knew it was the start of something special.
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