A Quote by Sriram Raghavan
My women characters should not exist only to play the 'love interest' of a male character.
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Male playwrights, on the whole, are probably more interested in male characters. They need women characters to be the women in their lives or to be the domestic difficulty.
Being a woman is of special interest only to aspiring male transsexuals. To actual women, it is simply a good excuse not to play football.
There is no masculine psychology in my cinema. There is only the resentments and desires of women. A man should not attempt to recognize himself in my male characters. On the other hand, he can find [in the films] a better understanding of women. And knowledge of the other is the highest goal.
I tend to play strong characters and people just assume that I would want to play romantic comedies, which I would love to do, but there are other women that do it so great and they maybe couldn't do what I do, play the kind of characters that I play.
There are characters in movies who I call 'film characters.' They don't exist in real life. They exist to play out a scenario. They can be in fantastic films, but they are not real characters; what happens to them is not lifelike.
Perhaps because my background is theatrical, I have a great affinity with the classics. Hamlet has always been a character of great interest to me and a character I would really love to play. Or a character in a Tennessee Williams play, maybe Tom in 'The Glass Menagerie.'
Just like how male actors get to play varied characters, I would also like to play characters that people don't normally see female characters portraying on screen.
I think that's the kind of women that people are interested in. They're interested in strong women characters who are stronger than the male characters sometimes, in some ways. That's what's interesting and attractive about women.
The baseline character in a lot of Western literature is a man. So we, as women, do a lot of suspending of our disbelief to experience a novel or a play or a movie through that male character.
'Friends With Benefits': it feels like a two-hander to me, but it is a big movie, and this is the first straightforward male I've been able to play. I would describe my character in 'The Social Network' as a kind of sociopath. I would describe my character in 'Bad Teacher' as... just a weirdo. But this is a male's male.
At the end of the day I can't change myself. It's only different characters that I play. And in those it should not be me, Atul Kulkarni, it should be the character that is being played by Atul Kulkarni.
I love strong women in films that are allowed to play women and not male fantasies.
I feel like, for so many years in the industry, LGBT-identifying actors were told to play small or water themselves down or 'butch it up,' whether you're a male and you're only going out for straight characters because gay characters aren't being written, or you're a woman and you're told to 'femme it up' to play the leading lady role.
Should or can there be a single standard of behavior for both sexes? Is there such a thing as a biologically rooted female culture that should remain separate from male culture, partly because it is different than or superior to male culture? Women must convert their love for and reliance on strength and skill in others to a love for all manner of strength and skill in themselves.
I love flawed characters, male or female, and I only want to talk about flawed characters, really, in what I do.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
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