A Quote by Sriram Raghavan
Raman Raghav' was shot on location, but there are many stylistic things in it. I like this mixture of documentary and extreme stylization.
Related Quotes
As far as Raman Raghav is concerned, he is ruthless.
Getting a part in 'Raman Raghav 2.0' was an unbelievable moment. I couldn't believe that it was happening to me.
Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
Getting recognized for my skill is very important to me. 'Raman Raghav 2.0' gave me that.
Before starring in 'Raman Raghav 2.0,' I must have watched only 20-odd movies, out of which eight were part of the 'Harry Potter' series.
Anurag was always too passionate about 'Raman Raghav 2.0' to care about anything else. There never was a 'Bombay Velvet' hangover.
'Raman Raghav' will break my image of cute boy-next-door. My character in the film is mad, demented, very aggressive. He is a good cop but has his own issues.
I think all cinematographers, at least most of them, would love to do everything on location because you cannot cheat on location. It's there, it's part of the story usually. You have to deal with the elements. You have the sunshine, you have rain, you have fog - it really makes you work harder to try to match things during the day to make it look like it was shot within five minutes, movie time.
I got my big break in Bollywood with Anurag Kashyap's 'Raman Raghav 2.0' when I got a call from one of the casting directors to appear for an audition. At that point, I didn't think that I would make the cut since I was auditioning for a Bollywood film for the very first time. Within an hour of the audition, I was told that I had been selected.
The difference between raman and varelse is not in the creature judged, but in the creature judging. When we declare an alien species to be raman, it does not mean that they have passed a threshold of moral maturity. It means that we have.
Making love to a woman is like buying real estate: location, location, location.
Extreme success results from an extreme personality and comes at the cost of many other things.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
We shot on location in our very first weeks, in our very first shows. I would like to go on location again, Hawaii would be good!! But normally, we tape five days a week in the studio starting at about 8:00 a.m. and continuing until about 8:00 p.m.
We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
If I can do a scene in one shot, it's in one shot. Most of my shots are pretty long. I think with 'Looking,' what we have in the first minute is a whole episode of a traditional TV show. I like to let things breathe; I like to let things have a certain tone.
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