A Quote by Sriram Raghavan
In love stories you have to establish the mood and then you can go on. Writing thrillers are difficult because every scene needs a twist. May be comedy is even more difficult but I have no experience of it.
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What it is is that comedy is underrepresented in every actor's life, because it's so bloody difficult to write. Anyone can write, and then you leave it to special effects to make it look good. But comedy, you've got to do some writing.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
Writing a comedy script is a difficult thing. I think if someone is attempting a comedy and then they fail then it's understood.
I've never felt that my job was difficult because I'm a woman. It's a difficult job regardless, and it's even more difficult in Lebanon because there's no film industry. There's no structure, funding, or institutions for filmmakers.
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
I think I do have a way of predicting - not always accurately - what is a nerve-wracking day for actors, what may be a difficult scene or a difficult moment, how small - and it may be down to one line - a thing maybe that is upsetting or undermining a performance.
When I was in college, I wrote poetry very seriously, and then once I had started writing short stories, I didn't go back to poetry, partially because I felt like I understood how incredibly difficult it was.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
When you write, you're always revealing a difficult part of yourself. It may not be a part of yourself that looks as difficult - there are parts that look more difficult - but in fact, they are all difficult, and you get kind of used to doing that. It is sort of the nature of the thing.
This may sound like heresy, but it is the greatest truth! It is more difficult to let God love us, than to love Him! The best way to love Him in return is to open our hearts and let Him love us. Let Him draw close to us and feel Him close to us. This is really very difficult: letting ourselves be loved by Him. And that is perhaps what we need to ask today in the Mass: 'Lord, I want to love You, but teach me the difficult science, the difficult habit of letting myself be loved by You, to feel You close and feel Your tenderness ! May the Lord give us this grace.
I'd say 'Codename Baboushka' has been a slightly more difficult process for me, but I think that's precisely because it's quite different to my usual fare. And even then, being difficult doesn't make me prefer it, or not, to anything else. I like a challenge.
I really love writing comedy. Writing romantic comedy is even nicer because you get to write about how insane we all act when we're falling in love.
Grab love of life every day. Because we're all gonna die. It's difficult to live that way. Most people are afraid to. Or can't. I find it very difficult.
It's been so difficult to go from playing every game then get to the seniors and not be given a chance. It's really difficult mentally. There's only so long you just enjoy training with top players.
You should keep on painting no matter how difficult it is, because this is all part of experience, and the more experience you have, the better it is...unless it kills you, and then you know you have gone too far.
Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this.
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