A Quote by Sriram Raghavan
When you are working on a real story it is your responsibility to get everything right and stay as true and authentic as possible.
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You do have to keep in mind as you're going through extraordinarily difficult circumstances, that if you stay true, true to your values, if you stay true to your principles, if you believe in these values, then you can work in that context to right policies that may not be working.
I think the most important thing for an artist is to stay true to who you are. I want to stay as authentic as possible, as that's how we're going with our team.
Whenever you're telling a story about true-life events and about real people, there's a tremendous responsibility-slash-burden to get it right.
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
I took on so many things and not everything was the right fit. If you do that, it can kill your brand. A partnership has to be real and authentic.
I've found great virtue in two-thirds of the way into the message; right before I'm really want to nail home a point, pausing to tell a joke or to tell a light-hearted story, because I know my audience has been working with me now for 20 or 25 minutes. And if I can get them to laugh, get oxygen into their system, it wakes up those who might be sleeping, so there's something about using a story to draw people back in right before you drive home your final point. In that case I think it's real legitimate just to use a story for story's sake.
It was my dream come true when I signed for Real Madrid. I want to stay here for as many years as possible and, if it's possible, finish my career here.
The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.
Trying to tell an authentic, raw and honest story without making it therapy. Separating myself enough to have perspective while putting myself in the emotional hot seat so that I could make this thing real. Asking for help. Delegating responsibility. Standing up for myself. Fighting the impulse to be sweet and likeable 24/7. Being open to all ideas, but staying true to the spine of the story. Knowing when to let go and when to hold on and fight like hell. Getting out of my own way. Shall I go on?
I love my husband very much. I knew it was real true love because I felt like I could be myself around that person. Your true, true innermost authentic self, the stuff you don't let anyone else see, if you can be that way with that person, I think that that's real love.
Stay true to yourself, yet always be open to learn. Work hard, and never give up on your dreams, even when nobody else believes they can come true but you. These are not cliches but real tools you need no matter what you do in life to stay focused on your path.
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
Make it clear up front what the aim of the company is. Stay true to your authentic vision.
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
Don't worry about the pressure or the responsibility. Just live in it, have fun, and when everything seems to be going right, just stay humble and remember your family.
My responsibility in the past, when I was sleeping outside every night, was just to survive. My responsibility now is to stay real, stay grounded, and just tell the truth.
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