A Quote by Sriram Raghavan
Like you don't watch 'Octopussy' or any Bond film for the story. You see it for the smart lines, the glamour, the overall package.
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When I do watch shows, or projects that I've been a part of, I'm pretty good at watching them objectively. And that's mostly because I want to see how it came out overall, what the overall story was and how it came together visually, what my mates were doing.
The new Bond film, will be a big, big hit, because every Bond film is an event. Fathers take their sons to it; probably grandfathers. It's been a long time, and I think that the success of Bond is because the audiences have never been cheated by the producers. They always spend every penny, put it on the screen, and then the things that people expect to see in a Bond film - big action scenes, glamorous ladies - it's pure escapism.
I don't study films particularly. I plan to direct, but I'm not watching film - I watch the entire film to see how the story goes, but I don't say, 'Oh, so he does a slow pan here, or he pulls here, watch the crane shot, or look at the composition,' because it's got to be my eye.
With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.
I believe thrillers work if the story is good. It is not easy to make a thriller because the audience is making their own story in their minds as they watch the film. You have to break that expectation and still make them like the film.
Bond's introduction: "Bond. James Bond." Repeated in 17 subsequent Bond films. Number One in the Top Ten Most Famous Movie Quotes. -The Guinness Book of Film
I wouldn't like to see a female Bond, because we wouldn't want to lose the Bond girls. But we could have a lesbian Bond - why not?
The less lines, the better. I am the silent film actor, but not in a slapstick sort of way. Film is an image-based medium, so whatever you can say without the words is far more provocative and punctuating. If the lines are not funny or if they don't advance the story, sometimes it's hard. I hate talk in movies.
I just love films and any time you get to see a film with a good story, no matter how much money you have for visual effects, if the story isn't good it won't be a good film.
A James Bond film can be artistically fulfilling. Absolutely it can. It can be complex, and it can be interesting. I consider Bond movies to be an extension of popular theatre, a kind of modern mythology. You see the same sort of action in 'Punch and Judy' or in the folk theatre of various cultures, like 'Grand Guignol.'
People go to see a film because it's a great story and it's visually exciting to watch.
Any time I put together a story collection, I don't know what it's going to look like overall - or even what the title story is going to be. Over time, I end up with a dozen or so stories, and I start to see a shape to them, how they fit together, and then I write stories that complement or extend that shape.
Film wise, I always just kind of watch the offense overall.
For me, I can't watch violence when it's too grotesque, and it's just like, that's revolting to watch. I don't enjoy it. But when it's a Tarantino film, I'm lining up outside the door to see it, and I'm expecting to see something really crazy, a lot of blood, and for it to be funny.
I'd rather be entertained and go to a show and watch a drummer and have somebody that makes me actually smile. So I don't judge drummers based on their technical ability; I judge them based on the overall package and what they bring to the music they're part of.
I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.
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