A Quote by Stacey Dooley
As a journalist, I think it's OK to feel - I think there's space for it. It's how you react to those feelings that's important.
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The most important thing is to be true to yourself, however you feel, and not try to feel or behave differently because you think you should, or someone has told you how you must feel. But do think about it. Unexamined feelings lead to all kinds of trouble.
How would you feel if you had no fear? Feel like that. How would you behave toward other people if you realized their powerlessness to hurt you? Behave like that. How would your react to so-called misfortune if you saw its inability to bother you? React like that. How would you think toward yourself if you knew you were really all right? Think like that.
How we feel about our kids isn't as important as how they experience those feelings and how they regard the way we treat them.
I think of events like the Challenger and 9/11 - events that move us so much that we never quite get over them. So it's important to go back and relive those feelings in order to remember how important those events were to us.
It's OK to want to look and feel your best. It's OK to work at being attractive, whatever that means to you. And it's also OK to not expect to be defined by that. It's OK to be powerful in every way: to be big, to take up space. To breathe and thrive.
I think that the thing that holds so many of us back is our fear that we might fail, and I think we lose an incredible amount of talent and energy and enthusiasm that way. So I think, since I'm kind of a shining example of losing, that it's important for me to show that it's OK to lose, that I'm still so happy that I entered the fight, that I fought for something that mattered to me and that I gave voice to it and I made it part of the conversation. I want young women to know that it is OK to fail - it's not OK to stay home. It's not OK to not try.
I don't use "feelings" as a diminutive word. I'm trying to take feelings back. I think of everyone on the internet whose response to everything is: "#Feelings! This is important, this is real, this is significant!" That connects to power, too. Wanting to feel like you have power and control over your life.
Space really means the level of awareness or presence, not thinking. So, can you look at your partner and not think? Two conscious beings realize that the essence of the relationship is the space in it. Even when there is an egoic overlay, it is not too dense or heavy for you to sense the essence underneath it. You don't need to react to the egoic overlay. When you don't react to it you don't strengthen it.
I wouldn't say I'm stuck in my adolescence, but I think, like a lot of people, I carry my teen years with me. I feel really in touch with those feelings, and how intense and complicated life seems in those years.
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
I don't think I'm a great actress. I think I can act or I can react. Coming from a musical background and being a dramatic singer and writer, when I write stuff I really feel it. So I sing it like it comes from here. That's how I do the acting.
Try to get inside the skins of others. Think how they feel, how they react, and guide your own conduct by that.
I think it's really important, especially with the work space, to create a place that makes people feel creative, where they feel safe, and they feel like they're instantly connected.
I'd go for "really great writer." Although I don't think I am. I know I have a style which is recognizable. I think you can see Terry Pratchett in every book. I like doing it. I was once a journalist. And I think of myself as a journalist, and that's it.
I always have those feelings - lucky and blessed - and I don't know if they'll ever go away. I really hope they don't, as I think it keeps you grounded. That's how I feel about every film I do.
Even a happy life has a sad day. We fail to provide a context which says it's okay to cry, it's okay to be sad. So I think making the space for suffering is so important and making space for this expression of feelings in community.
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