I grew up on a council estate in Luton, and as a child, I was very much into the brass-band tradition. I was basically a Salvation Army boy. My English granddad bought me a cornet when I was five years old.
My parents were still living with my grandparents, on my dad's side, when I was born, but when I was three, we moved to our own house near Luton airport. It was a typical street where the kids all played outside.
We could be putting the hammer in Luton's coffin
I wasn't putting my all into it and I was still managing to score goals, and that gave me something to dream about, and something to work hard for. So I ended up going to the gym on my days off, trying to be a step ahead of everyone. Then we played Luton and I did OK and they came in for me.
I started to watch 'Play for Today' and plays like 'Cathy Come Home,' and Kenneth Branagh's 'Billy' trilogy in the 1980s, which took us into the world of the Belfast family. As a kid in Luton, how was I ever going to know that world otherwise?
I knew that extremism in Luton was a really important issue to try and cover, even though it could be very awkward for me at times!
Music was always a big part of our family life. My dad's brother used to play the harmonica at family parties, and my mum was in the Luton Girls Choir, who did lots of radio broadcasts and performances in the 50s. I have older cousins who used to play me their soul and ska records.
When I was 18, I was working at Luton airport and spending all my money on going out and buying tops. I had no fears, no responsibilities.
At first I didn't take football too seriously and then I realised what I wanted to do. I was seeing players get moves; a good friend went from Ilkeston to Luton and that made me see what was possible.
In the early 1970s, I got a milling machine apprenticeship at Vauxhall in Luton. My dad was a pattern maker at the factory. He worked every day of his life there and my brother worked there, too. I remember the pamphlets on all the new models arriving home.
Even as a child I knew I wanted to be a singer, and in 1976, at the age of 20, I quit my job at Vauxhall Motors in Luton and became a musician.
Growing up in Luton, we'd always eat on a cloth, placed on the floor of the living room, with no TV allowed. There were no chairs back in Bangladesh and Dad wanted to keep the tradition, so we never owned a dining table.
I've enjoyed my time in the game, whether it be managing Luton in the top flight, taking Spurs to Wembley or, as director of football, pinpointing players such as Jermain Defoe, Paul Robinson and Robbie Keane with real sell-on value.
There's a difference between performing in Philadelphia to New York as much as a difference between playing in Luton and playing in San Francisco, y'know what I mean?
There's a difference between performing in Philadelphia to New York as much as a difference between playing in Luton and playing in San Francisco, y’know what I mean?
George: 'Ringo would always say grammmatically incorrect phrases and we'd all laugh. I remember when we were driving back to Liverpool from Luton up the M1 motorway in Ringo's Zephyr, and the car's bonnet hadn't been latched properly. The wind got under it and blew it up in front of the windscreen. We were all shouting, 'Aaaargh!' and Ringo calmly said, 'Don't worry, I'll soon have you back in your safely-beds.