A Quote by Stacey Dooley

I'm such a homebody. It's actually quite tragic because, if I'm out for drinks, I'll constantly be thinking about when it's acceptable for me to leave. — © Stacey Dooley
I'm such a homebody. It's actually quite tragic because, if I'm out for drinks, I'll constantly be thinking about when it's acceptable for me to leave.
I'm more of a homebody. I'm constantly asked: 'Why don't we see you out?' But that's not what drives me. I prefer to have people over - which I do a lot, because I bought a house that's way too big for me, and four of my friends live there.
I'm more of a homebody. I'm constantly asked: 'Why don't we see you out?' But that's not what drives me. I prefer to have people over - which I do a lot, because I bought a house that's way too big for me, and four of my friends live there
There is no such thing as an acceptable level of unemployment, because hunger is not acceptable, poverty is not acceptable, poor health is not acceptable, and a ruined life is not acceptable.
The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.
I mentioned that I was thinking of getting out of the business after Call Me Madam. I thought maybe I should become a homebody.
I've definitely had inappropriate comments. I've had a producer tell me: 'I'm thinking about you constantly.' He didn't say: 'I'm thinking about you for this project.' He said: 'I'm thinking of you constantly.' It's definitely inappropriate. You can't say that to an actor.
I'm not in the clubs; I'm a homebody. I go out when I feel I have to for work or if there's a special function. You might catch me at the grocery store, but you won't see me out and about in Atlanta.
Life is not a piece of tragic fiction in which, at the end of the reading, we all get up and go out for drinks.
I think I'm much less self confident today. I actually went through a quite painful period because of that thinking that I was completely hopeless. But I think that's something that we all go through at various times of our lives and it was quite a sustained thing with me.
I think that people are constantly thinking about capturing things that they're not actually present for the moment they're trying to capture. I'm quite sure of this. I think it's insane how many pictures have to be taken these days. We have to realize there's a level of documentation that's just chatter, it's noise, and beyond that, people who are truly documenting are going to have to find a way to puncture that.
I wouldn't call myself a shut-in. I have the ability to leave my home; I just choose not to. But because I'm such a homebody, it's important to be surrounded by things I love.
I never make a choice thinking about the results. I'm never gonna take a role or a project thinking where this could - what this could bring me or something like that, because you've got no control about anything, actually.
I'm constantly listening to music and thinking about it and compiling my own cassettes and CDs in obsessively specific order. I have quite lunatic agendas for what I want to achieve. They won't make sense to anyone other than me, but it is what I've spent most of my life doing.
Writing by myself, I spread that out more. I'll spend more time on a song then. I'm more critical about it, because there's no one else in the room to tell me, 'That's really not translating. I'm not getting what you're saying.' So, I'm constantly rewriting it, thinking, 'No, that's fine,' and going back.
The left is constantly attacking. They're constantly accusing. They're constantly alleging. They're trying to drive Donald Trump out of office. They are conducting a silent coup that is actually making a lot of noise.
I think it's time for me to get out, because at the moment I'm only thinking about fishing 21 hours a day, and they're the waking moments. And even when I close my eyes I'm thinking about it.
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