A Quote by Stan Brakhage

I've always believed film is most close to music of all the other arts. — © Stan Brakhage
I've always believed film is most close to music of all the other arts.
I've always surrounded myself with other artists. My close friends, people I've been in relationships with - I went to an arts high school - even my elementary school was arts based.
I've always been real close to film world. I love film, and I will do things in film, but music is more satisfying. It feels more like me.
I've always believed in self, I've always believed that as long as I believe, nothing else matters. I just put that type of motivation and that type of energy into my music, and I've always had confidence in my music as well.
I conceive of the film as a modern art form particularly interesting to the sense of sight. Painting has its own peculiar problems and specific sensations, and so has the film. But there are also problems in which the dividing line is obliterated, or where the two infringe upon each other. More especially, the cinema can fulfill certain promises made by the ancient arts, in the realization of which painting and film become close neighbors and work together.
Music, for me, is the most sacred of the arts. I say that because music communicates in a way that no other art form can. All great art has a spirit that we recognize and appreciate, but music goes directly to your heart.
The dance is the most universal of the arts, since, as Goethe justly said, it could destroy all the fine arts. It is an expression of all the emotions of the spirit, from the lowest to the highest. It accompanies and stimulates all the processes of life, from hunting and farming to war and fertility, from love to death. It enables, in turn other arts to come into being: music, song, drama. Despite all their riches, the dance is no formless complex, but a simple unity.
Music is at once the most wonderful, the most alive of all the arts- it is the most abstract, the most perfect, the most pure- and the most sensual. I listen with my body and it is my body that aches in response to the passion and pathos embodied in this music.
I really think that martial arts and music are very close to each other and both require a lot of focus and improvisation because you don't know where or when you're going to get kicked!
I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all the arts combined. Students are always asking me for advice, and I tell them that they have to be enthusiastic, because it's hard work. The only way to enjoy it is to be totally immersed. If you don't get involved on that level, it could be a very miserable job. I only have one regret about my career: I'm sorry that we are not making silent movies any more. That is the purest art form I can imagine.
I've always believed that it's the film that chooses the actor and not the other way round.
Sometimes by a woodland stream he watched the water rush over the pebbled bed, its tiny modulations of bounce and flow. A woman's body was like that. If you watched it carefully enough you could see how it moved to the rhythm of the world, the deep rhythm, the music below the music, the truth below the truth. He believed in this hidden truth the way other men believed in God or love, believed that truth was in fact always hidden, that the apparent, the overt, was invariably a kind of lie.
I was raised on piano and saxophone and jazz music for ten or twelve years. Before I even picked up a bass. My whole family has always pushed the arts, you know? My brother is a doctor of music and my cousin is an opera singer over in Austria. Arts were always a big thing in our family.
I always thought martial arts was the most modern choreography we could have right now, and I always wanted to put it to music.
Music is the most abstract of the arts and also the most physical....music is under two signs, the stars and the wine
Film music is always given a step-motherly treatment though it is the most popular form of music.
I've always believed that if you want to really try and make a great film, not a good film, but a great film, you have to take a lot of risks.
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