A Quote by Stanley Kubrick
The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage.
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The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.
You ever talk about a movie with someone that read the book? They're always so condescending. 'Ah, the book was much better than the movie.' Oh really? What I enjoyed about the movie: no reading.
You know, this is such a rich time that we've just been involved in, and there's really a job now for historians. Film is still very young. This is the first hundred years of filmmaking. So I think it's important that we have some sense of history and continuity. Especially in film.
Luckily enough, I read 'NOS4A2' about a year before I ever heard of the TV show, so I had read the book and absolutely loved the book.
The first time I read an excellent book, it is to me just as if I had gained a new friend. When I read a book over I have perused before, it resembles the meeting with an old one.
I found my father's Super8mm film camera when I was around eight years old and started shooting with it. I had no idea what I was doing at the time, but that's really where my filmmaking began.
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.
'Skeleton Creek' is like nothing you've ever read before because it's a book and a movie at the same time.
I read the 'Twilight' books before the movie and the whole craze happened. And then I loved it. I was in love with Edward before every other girl that says she's in love with him was. Because I read them a long time ago shooting a movie in Salt Lake City, and one of Stephenie Meyer's friends said, 'Make sure you read my friend's book.'
The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.
The very first idea I ever had about making a film... my first thought about ever being a filmmaker was when I was sixteen years old and I wanted to make a Viking movie. And I wanted to make it in old Norse, which I was studying at the time. It's odd because at that age that's a stupidly ridiculous idea 'cause how will I ever be a filmmaker.
You're watching the movie for the first time when you're working with the actors in front of the camera. You don't think about how the audience will react. You discover the film.
I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
Comparing 'Christmas Vacation' to 'It's A Wonderful Life' is the silliest thing. That film starred the greatest movie actor of all time, and the idea that our movie could ever be connected in some fashion to something so brilliant and beautiful always made feel like, 'That's all they had to write about?'
When I was writing Shadow and Bone,' I really had no confidence as a writer. I had never finished a book before and I desperately wanted to finish a book for the first time.
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