A Quote by Stephanie Mills
Onstage, you can be anything you want to be. In concert, I might project a different side of myself, but I wouldn't do anything I'd be embarrassed of.
Related Quotes
I don't want to be on the other side of the table from the customer. I was never selling anything that I didn't believe in myself or use myself.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
I love every aspect of the performing arts and can't imagine myself doing anything different. I give my heart to every project.
I went to a concert once when I was a little kid and ran up onstage, started dancing, started saying anything that came to my head. I was like a little vaudevillian.
A concert is my experimentation time. I practice playing something several different ways, but in a concert, inevitably I get more ideas onstage, in that combination of focus and adrenaline, than I could ever get in the practice room.
I've met people who are embarrassed of the stuff they've done, and they try to hide it. And I'm not embarrassed of anything.
When you go to Washington now, you can feel a sense of fear in the air - the fear to do anything, or say anything, that might affect the polls, or give the other side an advantage, or offend a special interest.
The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
There's one rule that I have on my movies, which is that anything that you want to do, you can do. But! There's a flip side to that, which is that anything I want you to do, give it a try also.
But I'm glad you'll see me as I am. Above all, I wouldn't want people to think that I want to prove anything. I don't want to prove anything, I just want to live; to cause no evil to anyone but myself. I have that right, haven't I?
When you are young, your potential is infinite. You might do anything, really. You might be Einstein. You might be DiMaggio. Then you get to an age where what you might be gives way to what you have been. You weren't Einstein. You weren't anything. That's a bad moment.
The last thing I want to think of myself as is anything different.
Cabaret presents different challenges, as it is all on me. I love having the freedom to say anything you want - do anything you want. It is a lot of responsibility, and if it works, you get all the kudos, and if not - all the blame.
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
I know that I'm Marmite, and I wouldn't want to be anything less or anything more. I'm just myself.
When I said yes to doing 'Queen's Gambit,' I was feeling burned out on directing and movie-wise wasn't sure what my next big project was going to be. So I said yes to doing this very different type of project that required a different skill set from me, sort of just to shake things up, if anything.
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