A Quote by Stephanie Rothman

I couldn't get any work in television. No one would even meet me, and I had very good agents. — © Stephanie Rothman
I couldn't get any work in television. No one would even meet me, and I had very good agents.
People are very good [at] thinking about agents. The mind is set really beautifully to think about agents. Agents have traits. Agents have behaviors. We understand agents. We form global impression of their personalities. We are really not very good at remembering sentences where the subject of the sentence is an abstract notion.
I wasn't the kind of kid who would get A's without even trying. I had to work to get good grades, but I was very organised about it because I always wanted to do well at everything I did. I'm very competitive.
Be able to meet any deadline, even if your work is done less well than it would be if you had all the time you would have preferred.
Thank God for television. I've been able to consistently work in television even when people say, 'Oh my God, I haven't seen you since this film or that project.' At least I'm working. It's very difficult to get that next movie role. I'm grateful to have the television world accept me.
America is really tough on mothers, especially going to work again. A lot of women have to breast-pump, and they can't do that at work, and they only have two weeks' maternity leave. I'm very lucky that I get to pick and choose. And it helps that all my agents are women, and very protective of me. But for other working mothers here, support from their employers is not good enough. It shouldn't even be an issue. It's really important to be able to raise your kid without a fear of losing your job.
I've had a tremendous career and I get more phone calls from people who've been on 'X Factor' asking how they get on the ships. The ships are a very lucrative job for any singer and I would advise any singer to go and work on them and try it for a while. If you are not good enough, you will not get on.
I had never thought of doing television. But my agent wanted me to meet John Wells, who had had a lot of success producing ER and China Beach. The night before the meeting, some friends were over for dinner and Akiva Goldsman and I slipped downstairs to the basement so we could sneak a cigarette. He said, "You know what would make a good television series? That." And he was pointing at The American President poster. He said, "There doesn't have to be a romance, just focus on a senior staffer."
So anything that's not absolutely needed, we would cut it [footage] out, which would make me very insecure; everything has to work, and it's a water movie in 3D with a kid, animals. So the more I do that, the more I'm scared of "What if it doesn't go the way we want it?" But we had to do that to meet the budget, otherwise we wouldn't even have a start-date.
My father did think I should get interested in television. But I had very little interest in television and it wasn't something I wanted to do. I really never thought about going to work on big feature films in Hollywood. But when we made The Householder, Columbia Pictures bought it. Who would have ever imagined?
My struggle and my story is very much so somebody that was just kind of [an] underdog. I didn't have any cosigns, I wasn't even really good at rap, I'm one of those dudes that was never just crazy and amazing, I had to work my f***ing ass off to get good at this stuff.
You always have to give back to the fans. I remember being a fan of television and film when I was growing up and if I would've had the opportunity to meet somebody that I watched on television, it would've made my day, it would've made my life.
There was a very bad phase for me where for two years, I did not get any work, and this was initially when I started, in 2014-15. I did not do any work during that time, I did not even get ads.
I had so many agents tell me that at size 18, I would never work or work again. I heard, 'Go home and lose some weight.'
I don't like the idea of agents in a typical form. The idea of agents, to me, brings up the idea of a man in a very boring suit who's not very good looking and doesn't have much attention to style.
I was going to move to New York after college and had no interest in pilot season. I'd seen what happened on TV shows because of my dad, and I didn't want to open myself up to that. But 'Pretty Little Liars' had a very early audition, and my agents encouraged me to go even though I didn't think it would be my thing.
All my life I just wanted to be a beatnik. Meet all the heavies, get stoned, get laid, have a good time. That's all I ever wanted. Except I knew I had a good voice and I could always get a couple of beers off of it. All of a sudden someone threw me in this rock 'n' roll band. They threw these musicians at me, man, and the sound was coming from behind. The bass was charging me. And I decided then and there that that was it. I never wanted to do anything else. It was better than it had been with any man, you know. Maybe that's the trouble.
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