A Quote by Stephanie Szostak
I painted with my husband a portrait of a naked Serge Gainsbourg draped with a French flag, and it hangs in our bedroom. I love gritty and dark art like what the German couple Herakut does.
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Most people know Serge Gainsbourg's 'Histoire de Melody Nelson' album, but what's interesting is that in the early '90s, he actually went into a dark, weird phase that French people don't really like. They consider his music from that time weak. But for me, it's the best.
It is the soldier who salutes the flag, serves beneath the flag, whose coffin is draped by the flag, who gives that protester the freedom to abuse and burn that flag.
Everyone has this idea of Serge Gainsbourg and Jane Birkin: the woman being pretty and prancing around while the guy writes all the songs.
Look, I like gritty. I write gritty. There is a time and a place for gritty. I'll take my Batman gritty, thank you, and I will acknowledge that such a portrayal means that my 11-year-old has to wait before he sees The Dark Knight. But if Hollywood turns out a Superman movie that I can't take him to? They've done something wrong.
When we strengthen our relations with the Gulf states, when we cooperate with the Arabs, everybody asks if we are looking for a new geopolitical place. But in the Middle East and the Gulf, you can find German, French and British goods everywhere. German relations to these states are very good, as are English and French relations. Does this make them Arab-oriented?
Strider's bedroom "The only thing hanging on the wall that wasn't a weapon was the portrait just over the bed. No. Not true, he thought then. The portrait was a weapon, too. Of seduction. In it Strider was utterly naked and whisking through the cloads like an avenging angel. He was holding a teddy bear in one hand and a stream of pink ribbons in the other. Anya had given him the nearly life-size monstrasity as a joke. But the joke was on her. He loved the thing.
It is impossible to believe the emotional and spiritual intensity and pure, classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped over a stick.
The last time the French asked for 'more proof' it came marching into Paris under a German flag
A photographic portrait needs more collaboration between sitter and artist than a painted portrait.
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
It is the soldier, not the reporter, who has given us freedom of the press. It is the soldier, not the poet, who has given us freedom of speech. It is the soldier, not the campus organizer, who has given us the freedom to demonstrate. It is the soldier, who salutes the flag, who serves beneath the flag, and whose coffin is draped by the flag, who allows the protester to burn the flag.
'MaerskKendal' is a rarity with its British flag, the 'LONDON' home port painted on its bow, its two British chief officers, and its portrait of the queen in the mess room, apparently common courtesy on British ships, but a little alarming to me.
I like naked women! I'm a bloke! I'm supposed to like them! We're born like that. We like naked women as soon as we're pulled out of one... When Man invented fire, he didn't say "Hey, let's cook!" He said: "Great! Now we can see naked bottoms in the dark!"... The story of male achievement through the ages, feeble though it may have been, has been the story of our struggle to get a better look at your bottoms.
Awareness born of love is the only force that can bring healing and renewal. Out of our love for another person, we become more willing to let our old identities wither and fall away, and enter a dark night of the soul, so that we may stand naked once more in the presence of the great mystery that lies at the core of our being. This is how love ripens us -by warming us from within, inspiring us to break out of our shell, and lighting our way through the dark passage to new birth.
I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
I always think photographs abominable, and I don't like to have them around, particularly not those of persons I know and love. Those photographic portraits wither much sooner than we ourselves do, whereas the painted portrait is a thing which is felt, done with love.
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