A Quote by Stephen Colbert
I'll make fun of anybody. We're all about falling down and going boom on camera.
Related Quotes
Boom and bust cycles are very difficult for businesses because you're hiring a bunch because you're planning for the future. And if the future is going to be very big, you need to hire people, or suddenly you go to boom to bust, then all of a sudden, you're kind of battening down the hatches and trying to sail, you know, through the storm, it's a different thing. So part of it is making good decisions about, well, how long is a boom cycle going to be, you know, don't plan on it going forever.
It's hard enough to just be a good actor. When you're on set, there's everything going against you. There are walkie talkies going off, the camera is creaking and moving, there are boom mics, and you have to hit your mark and make sure you don't shadow the other person's face. It's a really technical process.
If I had more recreation time I would be able to step back and reflect on how life has changed. But it has been like a constant... boom, boom, boom, boom, boom!
I was just going at this career - boom, boom, boom! Then all of a sudden, at 38, Oh, my God - I forgot to get married!
The thing I'm most honored about is every single person that went after me, including Jeb Bush, who's down - boom. Every single person that went after me has gone way down. And I'm very honored by that. And that's what the country needs. The country needs a leader that when the country gets hit, we're going to come out on top, not keep going down. Because we're going down. Our country is going down.
In falling markets, there is nothing that has not happened before. The bear or pessimist sees only the past, which imprisons the wretched financial soul in eternal circles of boom and bust and boom again.
I didn't know about the Bond girl thing. I was approached very quickly, boom, boom, boom, it happened.
You can make an editorial comment about the play while it's going on. You don't have to be bogged down by the details because the camera is showing the groundball to short.
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
The leaves are falling, falling as from way off, as though far gardens withered in the skies; they are falling with denying gestures. And in the nights the heavy earth is falling from all the stars down into loneliness. We all are falling. This hand falls. And look at others: it is in them all. And yet there is one who holds this falling endlessly gently in his hands.
Boy you got my heartbeat runnin away
Beatin like a drum & it's comin your way
Cant you hear that
Boom badoom boom boom badoom boom bass
He got that super bass
Boom badoom boom boom badoom boom bass
Yeah that's that super bass
The camera is objective. When it records a face it can't make any hierarchical decisions about a nose being more important than a cheek. The camera is not aware of what it is looking at. It just gets it all down.
For 10 years, I'd been told I was always going to be a catalogue girl, never a cover girl. Well, I got with IMG and did five covers in a year, boom, boom, boom.
I wish it had been something as sexy as the old Joey Tribbiani, falling-down-an-elevator shaft. But no. It just faded out. I wasn't related to anybody or anybody's lost, amnesiac lovechild in One Life to Live. They just didn't have room for me, so it was a slow fade. I remember feeling the writing on the wall: "This is not going to end well for me."
You can't have a movie that's just 'Boom, boom, boom, boom, boom' constantly - you have to breathe.
Paul patted Mrs. O'Leary's snout. The living room shook —BOOM, BOOM, BOOM—which either meant a SWAT team was breaking down the door or Mrs. O'Leary was wagging her tail. I couldn't help but smile.
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