A Quote by Stephen Daldry

With journalism, films always have to be to do with some personal statement of your own. As a general rule, I resist that. In the States, a question that kept coming up was this: how can you, as a man, talk about three women?
With journalism, films always have to be to do with some personal statement of your own. As a general rule, I resist that. In the States, a question that kept coming up was this: 'How can you, as a man, talk about three women?'
Women can resist a man's love, a man's fame, a man's personal appearance, and a man's money, but they cannot resist a man's tongue when he knows how to talk to them.
I respect Malayalam films the same way I respect Bengali films. I think Malayalam films have not compromised on the essence and have kept their own statement and are coming up with very good themes.
Women in general interest me. I like how women are more liable to talk about real things, personal things.
I always resist seeing my own personal motivation in my work, but I guess it must be there on some level. And I do feel very much that my life follows the kinds of things I talk about in my books. I've always thought of myself as an insanely lucky person, so perhaps the success of my first two books led me to want to examine this phenomenon on some unconscious level.
Whatever you resist you become. If you resist anger, you are always angry. If you resist sadness, you are always sad. If you resist suffering, you are always suffering. If you resist confusion,you are always confused. We think that we resist certain states because they are there, but actually they are there because we resist them.
Property should be in a general sense common, but as a general rule private... In well-ordered states, although every man has his own property, some things he will place at the disposal of his friends, while of others he shares the use of them.
Films were always there at the back of my mind. I would try to move away, but films kept coming to me. I would do movies for friends. I guess some things are meant to be!
Casting is really a black art. It's a huge part of directing and it's the most invisible. It's one that people don't really think about or talk about. But you can really destroy your movie by casting it badly before you've shot a foot of film. And yet there are no guidebooks for it, there's no rule book to tell you how to do it. It's all your own experience and your own sensibility and your own intuition.
I was in Iowa one time, and I kept trying to fire up the crowd, and I kept saying, 'How's Ohio doing?' For some reason, they just weren't coming around!
My own personal conviction is that if I were writing without thinking about how images or how journalism is creating a world for us, I would not be happy about it.
The statement that although the past can be recorded, the future cannot, is translatable into the statistical statement: Isolated states of order are always postinteraction states, never preinteraction states.
The important question has nothing to do with whether the talk in your story is sacred or profane; the only question is how it rings on the page and in your ear. If you expect it to ring true, then you must talk yourself. Even more important, you must shut up and listen to others talk.
Journalism is a flawed profession, but it has a self-correcting mechanism. The rule of journalism is: talk to everybody.
I don't talk about my personal life in the press; that's how I kept my wedding a secret.
Men give love because they want sex. Women give sex because they want love. That's the difference between men and women. Ever notice how when we talk about our love lives, it's always about a man? Singular. All most of us want is one good man. But when men talk, it's about women. Plural. They want as many as they can get.
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