A Quote by Stephen Frears

I never thought I was very good at developing material. I grew up at the BBC where they sent you scripts. — © Stephen Frears
I never thought I was very good at developing material. I grew up at the BBC where they sent you scripts.
Okay, I am happy with the way I look, but I have never, never, ever thought of myself as a 'pretty girl.' Honestly. When I read some of these scripts I'm sent, and they describe the heroine as 'incredibly beautiful,' I wonder why they sent it to me.
When I was a kid, I wrote to the BBC, and the producers sent me a huge package through the post with 'Doctor Who' scripts. I'd never even seen a script and couldn't believe that they actually wrote this stuff down. It sort of opened a door.
I grew up with very little - so material things have never been that important for me.
My first job was at the BBC but was really dull. I was working in the BBC's reference department, where I did a lot of filing. I had always been interested in films and theatre, so I thought that getting a job at the BBC would be a good idea, but the job was really mundane.
Our society is very, very good at developing certain types of skills and certain types of genius. We are fantastically good at identifying and developing athletic skills - better than we are, really, at almost anything else. We are quite good at developing and rewarding inventiveness.
I feel very grateful for the way I was brought up. I did not realise it then, but as I grew older and started writing and realised the material that was there was very strong, I felt very grateful that my life was complicated and that my identity was never clear but put me in a position that was always questioned.
I grew up in this poor place, with very limited circumstances, at about 16 years of age was sent by my family to work, and instead of remaining in the position into which I was sent, I somehow worked my way out of it without any help from anyone, just luck.
I never grew up with money, and I never wanted a lot of material things.
It's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
I grew up in a small town in Wisconsin. I never thought I'd be where I am. I never thought I'd have bling that I bought.
Doing a film, or being sent scripts to look at a certain character, it's very odd for me. I tend to take it very personally.
I've been in situations where I've been sent scripts to direct, and I always end up becoming very controlling and wanting to rewrite it to fit what I think it should say, and it just usually doesn't work.
Mom's a writer, so I grew up reading scripts and I have a real respect for them and I know how much thought goes into creating a role, so I'm always interested to find out what was the thought process of the writer and how best can I convey it rather than trying to change it to suit myself.
When I grew up I was a huge Michael Jordan fan. That's not very unusual for people to like him, but I just liked reading his books, especially where he came from, getting cut from his high school team. I thought he was a good person, a good role model to look up to.
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