A Quote by Stephen Gaghan
Starting in '98 when I was researching 'Traffic,' I got to meet really serious people in Washington, which for a screenwriter was kind of a great gift. And I really valued these guys; I stayed in touch with them, and I find their point-of-view quite interesting.
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Starting in 98 when I was researching Traffic, I got to meet really serious people in Washington, which for a screenwriter was kind of a great gift. And I really valued these guys; I stayed in touch with them, and I find their point-of-view quite interesting.
I love 'Saturday Night Live,' and I really feel like people who have left before me have always stayed with the show. They never really quite left, which is nice. Everyone kind of stays close.
Once I decide to take on a role it's because I find that guy to be really interesting to watch and very compelling to play. And from that point on I can no longer judge him. I can only take on his point of view in order to play him effectively. And his point of view is often not mine.
I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
I do think it's interesting when people are born into families that at one point had huge amounts of money and that money has kind of vanished over the generations and they're sort of the last vestiges. You see that these people live really quite modestly and yet, somehow the way the clothes fit them, they still have some kind of strange genetic advantage over the rest of us. There's always these weird things in which you detect the legacy. There's a pair of cufflinks that you look at and go, "Oh, my God! These had to come from the Romanovs."
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it." And sometimes, you say, "I'm really pleased that that's where it's finished up." Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further." Rather reluctantly, you have to say "That's it."
I've always wondered if people who block each other from expressing their opinions do so because they have so little confidence in their own. To me, encountering an opposing point of view is a chance to gain a deeper understanding of the issues at stake and develop my own point of view. But the first thing you've got to do is you've got to let people speak and you've got to listen. And that's what the first amendment is all about. That's what really distinguishes this country from others.
So it's a dangerous thing and conversely, the other thing I mentioned in that post was that people see guys who are kind of in touch with that and become famous for it and then think maybe they can get in on it. Maybe they're not quite as cynical as that and there's some sincerity about them, but they don't really get it so they just imitate what they've seen from people who've done it before and of course you can make big money that way.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
I'm very confident in my point of view. 'Cause I think that that's all you can really have. I'm never really going to know what anybody else is going through, so it's just kind of your job to be expressive with your point of view.
You never know why or when the next job is coming. I actually like that. It's kind of exciting. I don't punch in. I don't have a 9 to 5 job. When you do work you're lucky enough to go to interesting places and meet mostly interesting and talented people, so it's really a great job if you can work.
But because it was able to balance that kind of humor with a sweet story and characters you really rooted for and also got across the girls' point of view, I've heard nothing but great things from younger and older females as well.
You can say on one hand the market is crazy but it's not 1999. People have had their medicine from overexuberance. I find it really interesting that those two businesses, Yahoo! and Google, which are just online advertising businesses, are valued at more than the media behemoths in America.
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
From a policymaker's point of view, [the back door] must look like a perfect solution. "We'll hold onto a separate copy of the keys, and we'll try to keep them really, really safe so that only in an emergency and if it's authorized by a court will we bring out those keys and use them." And, from a policy point of view, when you describe it that way, who could be against that?
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