I love the satire and skewering of comedy writing.
I've been a musician and a songwriter for years, since I was a teenager, and made my living doing that on and off for a long time, so when it came to writing comedy material, it was the thing that came easiest to me, the most natural way of writing.
A lot of people who were writing when I came through originally as a singer-songwriter have disappeared.
I didn't originally intend on writing a book. I started writing during the day to feel like I was accomplishing something creative.
Outlining is not writing. Coming up with ideas is not writing. Researching is not writing. Creating characters is not writing. Only writing is writing.
I really love writing comedy. Writing romantic comedy is even nicer because you get to write about how insane we all act when we're falling in love.
Writing objects to the lie that life is small. Writing is a cell of energy. Writing defines itself. Writing draws its viewer in for longer than an instant. Writing exhibits boldness. Writing restores power to exalt, unnerve, shock, and transform us. Writing does not imitate life, it anticipates life.
My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice.
I don't know if I ever would have developed into a good actor, but that got completely scotched when I lost my vocal cord at 14 in the operation. But writing always - writing plays, writing, writing, writing, that was what I wanted to do.
I had all these sparkles I'd collected and wanted to work in, but when I originally started writing it and it was originally this novel about all these people set in 1666, what I was so interested in was the New Science.
When you have a writing partner and you're writing a comedy, your goal is to make each other laugh.
Who is writing these screenwriting books? Not actually writing for the studios in Hollywood. These are people that have one or a half of a credit on maybe one movie, or none. So they're all theoretical.
I'm trying my hand at writing. I'm writing a couple of projects for HBO, a half hour comedy and a miniseries.
'Writing' always means 'not writing' to me because I will do anything to put it off. I think this is mainly because writing anything down and then handing it over to a third party - especially in comedy - is such an exposing act that you naturally want to delay the process.
Writing a whole series was a crash course in screenwriting, which is a very different muscle to standup comedy writing.