A Quote by Stephen Graham Jones
Neal Stephenson handles exposition better than anybody else. I keep trying to learn his tricks, but every time I duck into his pages, I get lost in the stories all over again and forget that I'm a writer.
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Neal Stephenson is great. He can write about a white wall for six pages, and it sounds fascinating. I read the whole 'Baroque Cycle' and 'Cryptonomicon.'
A great writer named Neal Stephenson said that America does four things better than any other country in the world: rock music, movies, software and high-speed pizza delivery. All of these are sacred American art forms. Let's return to our purity and our idealism while we have this shot.
I've never been able to keep track of an umbrella, but then my dad gave me this fancy umbrella. It was in his car, and I had again lost some awful Duane Reade disaster umbrella. It was my first adult umbrella that wasn't from a drugstore, and I have left it all over New York, and every time, I went back to get it.
At the bottom no one in life can help anyone else in life; this one experiences over and over in every conflict and every perplexity: that one is alone. That isn't as bad as it may first appear; and again it is the best thing in life that each should have everything in himself; his fate, his future, his whole expanse and world.
Alas, why will a man spend months trying to hand over his liberty to a woman--and the rest of his life trying to get it back again?
It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
The writer has the advantage of a medium that can be contemplated many times over on the pages of a book or a magazine. The words lie on the page and the writer has an extended opportunity to imprint on his reader every meaning and nuance distilled from experience.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
He’s playing every bit as hard as I am, only he knows what he’s doing and I don’t. Don’t blame me because he’s a better manipulator than I am — I haven’t been around long enough to learn all his tricks.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
Probably more than anybody else, I loved Nat 'King' Cole as a performer - not only his singing but his piano playing. Whenever he had a new record come out, I'd get it and try to learn how he was playing. And he was one of the nicest people I'd ever met.
He does not always remain bent over the pages; he often leans back and closes his eyes over a line he has been reading again, and its meaning spreads through his blood.
One of the tricks is to have the exposition conveyed in a scene of conflict, so that a character is forced to say things you want the audience to know - as, for example, if he is defending himself against somebody's attack, his words of defense seem Justified even though his words are actually expository words. Something appears to be happening, so the audience believes it is witnessing a scene (which it is), not listening to expository speeches. Humor is another way of getting exposition across.
It's fragile what we know. It's gone every time we forget. Then someone has to learn it all over again.
Avoid openly trying to reform people. Every man knows he is imperfect, but he doesn't want someone else trying to correct his faults. If you want to improve a person, help him embrace a higher working goal-a standard, an ideal-and he will do his own 'making over' far more effectively than you can do it for him.
Music is supposed to be entertaining and if it touches you emotionally, so much the better. Sometimes you do it to save your own life, not anybody else's. That's why I write. I'm not trying to change anybody else's life or the world, I'm trying to keep from blowing my own brains out. That's the real point.
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