A Quote by Stephen Hawking
I had not expected 'A Brief History of Time' to be a best seller. It was my first popular book and aroused a great deal of interest. Initially, many people found it difficult to understand. I therefore decided to try to write a new version that would be easier to follow.
Related Quotes
My first popular book, 'A Brief History of Time,' aroused a great deal of interest, but many found it difficult to understand.
I had not expected 'A Brief History of Time' to be a best seller.
I signed my first book contract without paying much attention to what it said. I didn't know at the time that the book would be a best seller or that it would one day inspire a Netflix series. I just needed the money.
I never expected to write a book about a slum in Ireland that was going to catapult me, as they say, into some kind of - onto the best seller list.
Why do the easy expected thing? It takes guts to follow your dreams. Courage. Many people, even those who love you, don't understand how compelling that can be, and will try to keep you in the “safety zone”. But f*#! that. Half the fun is venturing into the unknown, taking on the difficult task that yields new knowledge, doing more and testing your limits.
When I wrote the first Betsy book, 'Undead and Unwed,' I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
Once I came to really understand the mechanics of three-act structure, my life got a great deal easier. It doesn't tell you how to write your book, but it helps you understand why things aren't working, or what kind of beat needs to come next.
When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
In my lifetime I was to write only one book, this would be the one. Just as the past Lingers in the present, all my writings after night, including those that deal with biblical, Talmudic, or Hasidic themes, profoundly bear it's stamp, and cannot be understood if one has not read this very first of my works. Why did I write it? Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of the madness, the immense, terrifying madness that had erupted in history and in the conscience of mankind?
In the twentieth century our highest praise is to call the Bible 'The World's Best Seller.' And it has come to be more and more difficult to say whether we think it is a best seller because it is great, or vice versa.
I had expected that at some point during the first draft a light would go on, and I would understand, finally, how to write a book. This never happened. The process was akin to blindly walking in the dark, feeling my way only by touch, and only recognising dead ends when I smacked into them.
I did not write it [Coming of Age in Samoa] as a popular book, but only with the hope that it would be intelligible to those who might make the best use of its theme, that adolescence need not be the time of stress and strain which Western society made it; that growing up could be freer and easier and less complicated; and also that there were prices to pay for the very lack of complication I found in Samoa - less intensity, less individuality, less involvement with life.
I think Liverpool have a long history with many great players. I hope one day to be up there with those great players. I'll try my best to write some history here.
Too many people write books because they want to be a New York Times best-seller. They want the glory and the fame.
When I write a new draft, I don't like to feel I'm tied to any previous version. That's why I don't use a computer to write. The text looks, on the screen, too much like a book. It's not a book - it's a bad first draft of something that could one day be a book.
Heinlein never had a best-seller. Even, I think, with Stranger in a Strange Land, I don't think it was actually on the New York Times best seller list.
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