A Quote by Stephen Schneider
The fact that the Antarctica is beginning to look more like it's part of the story, as well.
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A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
Scientists say that Texas and Antarctica were connected at one time. In fact, early Mexicans used to go through Texas to try to sneak into Antarctica.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
I think a good story, well told is a good story, well told, whether you're watching the episodes all in a row or not. However, it might be fun to take a closer look at how the previous episode ends and how that end relates to the beginning of the next episode.
I signed 'Lucknow Central' because it was a story I wanted to be part of. I still stand by the fact that it was a well written, well directed film with some great performances.
As an actor, I look for the part itself. I look for the story and the role. If there's no money, but it's a good part in a good role, I'll still consider it. Basically, the worse the role is, the worse the story is, and the more they'll have to pay me. It's a simple correlation.
You know the way people begin to look like their dogs? Well, we're beginning to look like each other.
Large or small, [the garden] should be orderly and rich. It should be well fenced from the outside world. It should by no means imitate either the willfulness or the wildness of nature, but should look like a thing never to be seen except near the house. It should, in fact, look like part of the house.
I do not think that you can be changing the end of a song or a story like that, as though it were quite separate from the rest. I think the end of a story is part of it from the beginning.
I go out and look for a good story to tell and if I like it enough and I decide to direct it, I become dangerously involved in becoming a part of that story.
Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
I felt like this is a story in 'Life', that does not go too far away from the feeling that something like this could really happen - it's part of what makes you connect and stay with the story. The feeling of "all is good and calm" in the beginning really sets you up for when things start to go "not so good..."
I look in the eyes and I see the heart. As long as it's a human story. I would like to turn on my television and see African American, Hispanic, Asian as well as Caucasian. And I think there are probably more people like me.
People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.
As an actor, whether you look good or you don't, it's still about what you look like: Whether you are heavy enough to play this part or thin enough to play that part. The fact of the matter is, you can add a little weight with some extra padding, but you can't shave it off.
But after that, I was extremely happy with the story and the look of the show at the beginning of season two - everything was working together. I felt like it was finished conceptually.
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