A Quote by Stephen Shore
The danger is that you can wind up doing tourist pictures. I want to see it fresh and see the little bits of everyday life that a native might take for granted, but that are special to the place, while at the same time, not taking a picture that would be a tourist cliché.
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Every native of every place is a potential tourist, and every tourist is a native of somewhere. Every native everywhere lives a life of overwhelming and crushing banality and boredom and desperation and depression, and every deed, good and bad, is an attempt to forget this.
I'm a tourist, a glorified tourist. I'm not doing it to have a good time or to lie in the sun.
When is the last time you were a tourist?” she asked archly. He just looked at her. Charles, she had to agree, was not tourist material. “Right,” Anna told him. “Buck up. You might even enjoy it.” “You might as well have ‘hapless victim’ tattooed across your forehead,” he muttered.
There are two worlds: the world of the tourist and the world of everyone else. Often they're side by side. But the tourist doesn't actually see how people live.
I mean, shout out to the people that get dressed everyday and want to take that picture everyday. I would much rather post pictures of [my girlfriend] than of myself.
The worst thing about being a tourist is having other tourists recognize you as a tourist.
Modern tourist guides have helped raised tourist expectations. And they have provided the natives- from Kaiser Wilhelm down to the villagers of Chichacestenango - with a detailed and itemized list of what is expected of them and when. These are the up-to-date scripts for actors on the tourists' stage.
David Attenborough has said that Bali is the most beautiful place in the world, but he must have been there longer than we were, and seen different bits, because most of what we saw in the couple of days we were there sorting out our travel arrangements was awful. It was just the tourist area, i.e. that part of Bali which has been made almost exactly the same as everywhere else in the world for the sake of people who have come all this way to see Bali.
But some natives--most natives in the world--cannot go anywhere. They are too poor. They are too poor to go anywhere. They are too poor to escape the reality of their lives; and they are too poor to live properly in the place where they live, which is the very place you, the tourist, want to go--so when the natives see you, the tourist, they envy you, they envy your ability to leave your own banality and boredom, they enjoy your ability to turn their own banality and boredom into a source of pleasure for yourself.
Wilderness is not only a haven for native plants and animals but it is also a refuge from society. Its a place to go to hear the wind and little else, see the stars and the galaxies, smell the pine trees, feel the cold water, touch the sky and the ground at the same time, listen to coyotes, eat the fresh snow, walk across the desert sands, and realize why its good to go outside of the city and the suburbs. Fortunately, there is wilderness just outside the limits of the cities and the suburbs in most of the United States, especially in the West.
What is true about a person? Would I change in the same way the river changes color but still be the same person?... And then I realized it was the first time I could see the power of the wind. I couldn't see the wind itself, but I could see it carried water that filled the rivers and shaped the countryside.
Move to a new country and you quickly see that visiting a place as a tourist, and actually moving there for good, are two very different things.
Since I switched to an iPhone, I did start taking pictures of people I like. Until then, I strangely never took pictures. I think the iPhone became this space that was different enough from a "photograph," so I find myself taking pictures of daily things. If someone I dated asked me to take their picture, I would most likely find it disturbing. Perhaps nude pictures would be fun. But that would have to be on an iPhone.
I want my records to be the most magnificent and glorious-sounding records, but also want them to be the most intense and fragile. And I want that all in the same ten-second bit of music. And it just takes a while to get there, and I don't write the songs and then go and record them, I write in the studio. So it takes a while to kind of piece them together and know that that's what I want it to be like. And I constantly throw the bits up in the air and see how they land, and eventually they kind of keep landing in the same place and that's where it stays.
For me, the experience of not living in America was recognizing that I was American. You don't think about yourself being so culturally encoded, so nationally stamped; you don't discover that when you're a tourist for a month. You see how you reflect the place you're from. When I came back from living in Europe, I was very struck by how I didn't see America as the center of the world in the same way. It's very easy to slip back because America is so powerful. But any place you live is the center of the world.
A tourist can't help but have a distorted opinion of a place: he meets unrepresentative people, has unrepresentative experiences, and runs around imposing upon the place the fantastic mental pictures he had in his head when he got there.
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