A Quote by Steve Allen

I personally find it difficult to accept that there could be anyone on earth insensitive to the comic abilities of Laurel and Hardy, Sid Caesar, Woody Allen, Mel Brooks, or Martin Short. But no matter who the comic entertainer is, there is always at least a minority prepared to say, 'What's all the excitement about? He doesn't seem funny to me.'
Id like to acknowledge three people who early on knew Mel Brooks was one of the funniest people in the world: Sid Caesar, me, and Mel Brooks.
The straight man has to know to relate to the comic. When I think of the great comedy teams, I think of Martin & Lewis, Laurel and Hardy, Abbott and Costello.
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
I have performed my one-man show '700 Sundays' over 400 times now. There were only two times that I can honestly say I was nervous. The first was when I knew Mel Brooks was in the audience, and the second was when Sid Caesar came.
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
In this land of unlimited opportunity, a place where, to paraphrase Woody Allen, any man or woman can realize greatness as a patient or as a doctor, we have only one commercial American filmmaker who consistently speaks with his own voice. That is Woody Allen, gag writer, musician, humorist, philosopher, playwright, stand-up comic, film star, film writer and film director.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
Woody Allen's 'The Complete Prose' - It's just the best selection of comic writing by one author. You know it's good comedy when you get quite demoralised about yourself.
I'm not a child star, but you could say that I've grown up on TV. I went from being an unknown, down-and-out comic from Brooklyn and the Bronx to being a regular character on a major network comedy called 'Martin.' From there I went on to become the most notable black comic on 'Saturday Night Live' since Eddie Murphy.
It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
When you start to talk about comic books, a lot of the time, people forget about the comic part of it. They need to be funny.
I loved Woody Allen's short pieces. I was equally influenced by Woody Allen and Norman Mailer. I was very into this idea of being high-low, of being serious and intellectual but also making really broad jokes.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
"March" was inspired by "Martin Luther King and the Montgomery Story." I actually first heard about that comic from John Lewis, who told me that it played an important role in the movement. And so once he told me about that, it made me start thinking, "Well, why doesn't John Lewis write his own comic book?".
I remember calling and asking, because I had a few lines that were like, "How could the character have done this?" and I hadn't read the part of the script that said what she [ Cate Blanchett] did, so they put me on the phone with Woody... Allen. I don't know if I could really say "Woody."
Personally, I'm not into 'Star Trek' or physics or comic books, but I know I might be in the minority.
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