A Quote by Steve Carr
My sketchbook became everything to me.
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The images for my works are somewhat insignificant to me. It became an exercise of variation. I only see the surface images as doodles in a sketchbook, but it's hard to not see an image and bring some kind of personal association, though there's not a prescribed idea of what you're supposed to see.
What was going on inside of me became louder because everything around me became quieter.
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects. Everything became exchangeable because everything became a commodity.
I think it became blurry because I grew up in a very private family. I mixed privacy and secrecy up somewhere along the line. Everything became a secret, and I thought that was how you should live. Lying about everything. The mask I put on as a kid to survive was the funny lady. Then the funny person all of a sudden became harder to do without substances. Substances let me keep the mask on longer. Until it doesn't work anymore and you're just a mess.
The truth is that several years ago, I suffered from depression. And I remember during this time, I basically fell into this hole where my life became cold, and it became gray, and I lost sight of everything that was important to me.
I sketch while I'm on set, and it's a way for me to record all of the locations I've been to. I don't keep a diary but a sketchbook.
I was raised in a deeply Catholic family. There was a sense that everything we were doing was to prepare ourselves for an afterlife in heaven. In my teenage years, that became less important to me. Eventually, that turned into agnosticism, which became atheism.
As I became George professionally and everyone called me George, Yog became the name that people who knew me from before started to use. It became more valuable to me.
If you have a lawyer, sometimes you can get out of trouble. I've gotten into a lot of trouble because I didn't have a lawyer. I've also had some bad lawyers, too. But the good ones, the ones I liked, they became me. They became whatever situation I was involved in. When I felt pain, so did they. When I succeeded, so did they. They became me. They became whatever the situation was that they became involved with.
There was no safety. There was no pride. All there was, was money. Everything became money, and money became everything. Money treated us as if we were things, and we died.
I was modest--they accused me of being crafty: I became secretive. I felt deeply good and evil--nobody caressed me, everybody offended me: I became rancorous. I was gloomy--other children were merry and talkative. I felt myself superior to them--but was considered inferior: I became envious. I was ready to love the whole world--none understood me: and I learned to hate.
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
Children are amazingly adaptable. What would be grotesquely abnormal became my normality in the prisoner of war camps. It became routine for me to line up three times a day to eat lousy food in a noisy mess hall. It became normal for me to go with my father to bathe in a mass shower.
When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.
Film for me became how I related to everything else.
What is a movie star? It is an illusion. It was everything I ever wanted to be, but it became a kind of shell, non? It was what made me famous and got me women. But it wasn't real.
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