A Quote by Steve Erickson
The beautifully composed imagery of '12 Years a Slave' underscores the savagery of its subject, which is an American South not of knights and ladies but obscene values and a grotesque pageantry, every gorgeous shot of the languid landscape radiating toxicity like a hyperlush blossom that's poison to the touch.
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The argument for '12 Years a Slave' was that - yes, it's a beautiful film. Beautifully shot, beautifully acted. It's a real story, and these stories should be told. The problem is, if they're the only stories being told, then it makes Americans of African descent - it puts them into that victim category. And that was my problem with the movie.
The Proustian aquarium: grotesque and gorgeous fish drifting with languid fins through a subaqueous medium of pale violet polluted ink.
'12 Years A Slave' is a film that is beautifully shot, wonderfully acted, and told in a compelling manner. However, there are some questions, in my opinion, as to its importance. Paramount among those questions is, What does this scenario illustrate that we didn't know or haven't seen before? And why does such a film garner such popularity?
There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind.
A wedding is a funeral which masquerades as a feast. And the greater the pageantry, the deeper the savagery.
We believe that what matters most is not narrow appeals masquerading as values, but the shared values that show the true face of America; not narrow values that divide us, but the shared values that unite us: family, faith, hard work, opportunity and responsibility for all, so that every child, every adult, every parent, every worker in America has an equal shot at living up to their God-given potential. That is the American dream and the American value.
The outlaw, in the American imagination, is a subject of romance - a 'good' bad man, he is typically a master of escape, a crack shot, a ladies' man.
Our intention and aspiration is to continue building out thematic information about every subject - basemaps, imagery, demographics, landscape data, etc. - so anyone can use it to access thousands of authoritative maps.
Ladies love outlaws, like babies love stray dogs. Ladies touch babies like a banker touches gold, outlaws touch ladies somewhere deep down in their soul.
XVII Lady, i will touch you with my mind. Touch you and touch and touch until you give me suddenly a smile,shyly obscene (lady i will touch you with my mind.)Touch you,that is all, lightly and you utterly will become with infinite care the poem which i do not write.
The Place of Religion in Chicago is a clearly written account of a little-studied aspect of American landscape. Based on unique field surveys and supported by photographs, tables, and beautifully crafted maps, the book will form a lasting contribution to our understanding of an overlooked element of the American urban scene: the religious landscape of a major metropolis.
If you take something like the slave-auction sketch, the warmth of the light gives it a crisp 12 Years a Slave look. And your eye tells your brain, "I should be taking this seriously."
Anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.
Even before the expansion of slave labor in the South and into the West, slavery was already an important source of northern profit, as was the already exploding slave trade in the Caribbean and South America. Banks capitalized the slave trade, and insurance companies underwrote it.
With the Lincoln assassination, the South didn't feel it could mourn along with the North. But Garfield was beloved by all the American people. He was trusted and respected by North and South, by freed slaves and former slave owners. Also by pioneers, which his parents had been, and by immigrants.
Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
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